Press Quote – The New York Sun, Handsome Blue Sky by Ko Murobushi, NYBF 2005

“‘Handsome Blue Sky’ recounts, among other things, the atomic catastro­phe of World War II through the transformations of the body. It began in the aftermath: a powerful solo in near dark­ness, with Mr. Murobushi hunkered down on his knees. Only the backs of his feet were visible as he raised himself up with painful slowness. He was the collective survivor, alone in a tunneling silence. His body could be seen as a chronicle in which each part was a character. His feet curled and rolled feelingly like hands along the stage, while his hands reached down to numbly pad the ground. The work then moved on to re-cre­ate the horrifying event itself. With large sheets of brass, three dancers ro­tated the reflective surfaces toward the audience, producing distant thunder and explosions with their fists, fol­lowed by flashes of blinding light. In other places, too, the brass sheets combined with original choreography to create aesthetically charged visions of apocalypse.

Although “Handsome Blue Sky” pays tribute to Tatsumi Hijikata’s pio­neering influence (it premiered at the Hijikata memorial in Japan), Mr. Murobushi uses it as a point of departure integrating into the form a more contemporary outlook. He leavened Saturday’s performance with the blackest yeast. There were passages of des­perate humor: a round of finger-point­ing accusations, homoerotic play, and even a rock-‘n’-roll coda to John Lennon’s “Woman” – “I know you understand the little child inside the man” – while the dancers made agonized faces.

The humor served to reinforce the centrality of the body as a seat of hon­est expression, even redemption. The dancers receded into the shadows, a humble exit into the wings known as atozusari, but for Mr. Muroboshi their arms were raised in triumph.”

– Aeron Kopriva, “Channeling Hiroshima”, The New York Sun, 2005

Press Quote – San Francisco Bay Guardian, Love is Shock by Shinichi Koga, NYBF 2003

“Love is Shock takes its place alongside the earliest Butoh performances that were created and performed in the aftermath of WWII. Shinichi MOMO Koga has given us a solo performance that digests the horror of warfare and transforms it into a thing of hope. A riveting performer of great skill and craft, Koga embodies the spirit of protest against all the destructive forces on earth.’’

– Sima Belmar, San Francisco Bay Guardian, 2003

Press Quote – The Arts Cure, Infanticity by Joan Laage, NYBF 2003

“Ms. Laage’s Infanticity involved a candle, first seen behind a scrim, then carried slowly across the stage and back. There was also an icon of the Holy Mother of God, as the Eastern tradition calls the Virgin Mary, and her child. There was scattering of dead flowers, balling up of a purple groundcloth, and balling up of the performer into a fetal position. The Rumanian music, part of a music collage, was ecstatic and consummate in its performance, and a counterpoint to the performer, who seemed to be trying to beat herself into an ecstatic state with the audience as her witness.”

– R.Pikser, “First New York Butoh Festival,” The Arts Cure, 2003

Testimonial – Cora Laszlo, Fellowship

“I appreciate the fact that LEIMAY is a very intimate and familiar place where everyone is involved in the process of making things happen with rigor and joy. I also admire the questions Ximena asks us and her provocations to the projects, not imposing, but opening other ways to look at it. . . I admire LEIMAY and all its actions – their activity as an organization and their creative work. It’s a great joy to be one of the garden fellows and have the opportunity to be closer to them and also get to know the other fellows.


LEIMAY as a small non-profit, run by artists that are deeply engaged in their practice-based research process in dance and movement and all its ramifications. They opened and keep opening spaces in the city, bringing an innovative and unique view rooted in years of experience and investigation. It’s a very inspiring and rare achievement that should be supported by everyone to continue this ongoing process.”

Cora Laszlo, 2020-2021 Garden Fellow

Testimonial – Nana Chinara, Fellowship

“The LEIMAY Fellowship and Outsight performance program undoubtedly grew and challenged my work as an artist, outside of the bounds that I imagined. The community building expertise, practice, and support provided by LEIMAY staff and Ximena and Shige conceptualized and grounded my work in integrity with myself. I was able to realize my work as not simply a dance performance, but as something informed by and in conversation with the community around me, and therefore inspiring change in those who witnessed me. The professional development workshops around community building and public performance gave my work the space I did not know it needed. I now view all of my developing pieces with the lens provided by LEIMAY. The 60 hours of studio space grant was perfect and allowed for flexibility in my schedule as an artist. The fellowship has made a profound shift in the way I both view and actualize my performance work, and I am filled with deep gratitude for the space and program LEIMAY, Shige and Ximena have created.”

Nana Chinara, 2019-2020 Garden Fellow

Testimonial – Effy Grey, Fellowship

“My 2020 tarot card spread told me that last year was all about love and connection. I know that most of this was achieved through the LEIMAY Fellowship for their Outsight series. Ximena and Shige not only offered an amazing space to connect with my dancers, the freedom to work through the creative process with only solicited feedback, and filled the cohort with intelligent individuals to work with, but the Fellowship is a wonderful space to focus on community and how it is cultivated. With my research and performance, I grew immensely in my practice through the connections over the six months of the fellowship performance. I believe this fellowship will grow even over time and hopefully with more resources available to it.”

– Effy Grey, 2019-2020 Garden Fellow

Testimonial – Judith Barnes, Fellowship

“My fellowship at LEIMAY came at a time in my creative life when I was feeling trapped by my past achievements and uncertain of my future. After many years facing outward into the world as artistic director of an opera company, of producing, performing, and directing large ensemble operas, and being responsible for many people’s well-being, I felt a strong call to turn inward and focus on myself as a performer and creator, to develop my solo voice. In this search, I have been encouraged and supported by Ximena, Shige, and the members of the LEIMAY community. Within the context and structure of the fellowship, the discipline of the artistic contract, and the regular studio hours, I claimed the time to explore and create in a way that was new for me.”

– Judith Barnes, Opera Singer, 2017-2018 Fellow

Testimonial – Nicolas Norena, Fellowship

“Our time at CAVE home of LEIMAY has become so indispensable to the company THE MILLION UNDERSCORES. This kind of fellowship has allowed us to develop our practice and generate 5 original pieces. We love being part of the LEIMAY community, a vibrant, creative cooperative group of artists from all over the world with such different experiences and points of view.”

– Nicolas Norena, Director/Actor, 2017-2018 Fellow

Testimonial – Mariana Taragano, Fellowship

“The main benefit I am getting out of my LEIMAY fellowship is that of a structure. Having to show up to a studio every single week and create has made my practice grow. Knowing that the other fellows are showing up and creating as well gives me a sense of community even if I don’t always see all of them physically. Creating can feel very isolating and through this fellowship I have gotten to further understand myself as an artist and to connect to other fellows too.”

Mariana TaraganoChoreographer, 2017-2018 Fellow

Testimonial – Polina Porras, Fellowship

“The LEIMAY fellowship has offered me the structure to explore my artistic practice as a performer by offering a dedicated time and space. Through the fellowship I started developing a routine of body and voice work that will be the base for my future work.”

– Polina Porras, Performance Artist, 2017-2018 Fellow

Testimonial – Eunjin Cho, Fellowship

“It was a great opportunity to meet and exchange with other artists in New York City. Being able to use the studio regularly was beneficial too.”

– Eunjin Choi, Choreographer, 2017-2018 Fellow

Testimonial – Andrew Pratt, Fellowship

“As a performer living in New York, living in CAVE’s housing space has proved to be an absolutely invaluable resource for me. Aside from having the luxury of being enmeshed in a vibrant atmosphere full of other artists, I also have access to rehearsal space that is literally around the corner from my bedroom. I get to live minutes away from Manhattan in one of the finest and most burgeoning areas of Brooklyn, all on an artist’s budget. The staff and housemates at CAVE are welcoming and respectful; it is a space where performers can support each other and strive together to hone their respective crafts. CAVE has been a crucial part in my development (and survival!) as a budding artist in New York, and I do not know where I would be without it!”

– Andrew Pratt, Actor

Testimonial – Ben Spatz, Fellowship

“We are extremely grateful to CAVE for the support of our work through an artistic residency from 2010 through 2012. In addition to providing us with regular rehearsal space at subsidized rates, CAVE offers a warm and professional environment in which we encounter other theatre and dance artists as well as potential collaborators and audience members. CAVE is one of the only places in New York City where it is possible to find regular, year-round rehearsal space at a price that emerging artists and ensembles can afford. Our ongoing work is made possible to a great extent by CAVE and we hope they will continue to receive increasing public and private support.”

– Ben Spatz, Urban Research Theater Artist Director

Testimonial – Jeremy Goren, At Home

“CAVE is one of the most remarkable arts organizations in New York and unique in the atmosphere of congenial and yet truly advanced artistic development it has created. I have had contact with many rehearsal spaces in New York, none of which serves as a true center of creativity as CAVE does; none of them fosters the same high level of artistic integrity and supportive and open community for other artists that CAVE does. In the midst of the New York Showbiz whirlwind, CAVE provides a serene, stimulating and fertile field for the growth of artistic development. What Ximena and Shige have created and continue to develop everyday – through CAVE’s programs, the way the organism runs, and through their own great artistry – provides a truly remarkable service to non-commercial performance work and so in a way that benefits the greater community. For artists like our Terra Incognita Theatre, having a comfortable and stimulating —and affordable— home to train and develop our work is essential to our continuing to function, and I cannot imagine this having happened without CAVE.”

Jeremy Goren, Managing Director, Performer of Terra Incognita Theatre

Testimonial – Polina Klimovitskata, Fellowship

“When LEIMAY accepted my group into its studio share program nearly three years ago, Terra Incognita Theater found more than a space to rehearse; we also found an artistic home, a community of artists with whom we can share and from whom we can learn. The commitment to art from CAVE’s founders, their personalities and their work gathers artists with similar values and true quality. Personally, I find it extremely important, supportive and encouraging. I try never to miss the performances and works-in-progress they organize because they are of the highest quality, and I always learn from them. It is also very good for my work that periodically we share our work-in-progress with other artists who share the space. Their feedback is very helpful. There is a high level of mutual respect and discipline among all members, and Ximena and Shige are always generous and kind when we need some help. I hope that my group can continue working there in this most special atmosphere of love for our work and each other.”

Polina Klimovitskata, Artistic Director of Terra Incognita Theater

Testimonial – Maximilian Balduzzi, Fellowship

“I moved to New York City in November 2008, and since then I have developed most of my work at LEIMAY’s studio CAVE. In September 2010 I became a Black Studio Share Artist, and I started to practice and rehearse at CAVE three days a week. At CAVE LEIMAY offers a positive and professional environment for the artists that work there, I feel welcomed and supported, and there is a huge amount of joy for the art from the people who run the organization. A loving, respectful and rigorous environment that truly resonates through the walls, from the white to the black studio. I can confidently say that LEIMAY’s place: CAVE and the people have enormously influenced my theater work, offering me the perfect location to develop my physical, emotional, and intellectual research.”

Maximilian Balduzzi, Actor

Testimonial – Polina Klimovitskata, Fellowship

“CAVE has been Terra Incognita Theater’s creative home since February 2009 – and it really has been a home. Unlike so many of the impersonal rehearsal spaces in NYC, CAVE is an oasis of community, incredibly diligent professional work, and unfailing support for artists. Our work for the past six years would not have happened in the same way without the support of Ximena, Shige, and their team who champion the Fellows’ process and products in a way few others do. We are grateful for the time we’ve spent so far at CAVE and look forward to what the future will bring in this remarkable place.”

Polina Klimovitskata, Artistic Director of Terra Incognita Theater 

Testimonial – InkBoat, At Home 2024

“Our time at CAVE felt much like an incubation. We enter with ourselves, our ideas. We meet the embrace of the studio, the vibrant community working in and around that space, the moments to reflect out by the water and return with new perspectives. What a present.”

– InkBoat, Audience Member, 2024

Verkkojen matematiikka ja niiden sovellukset riskien

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Uudet tutkimusmenetelmät ja Laplacen operaattorin

yhteys sähkö – ja tietotekniikassa Maxwellin yhtälöt ovat sähkömagnetismin peruskaavoja, jotka mahdollistavat esimerkiksi kansanterveyden edistämisen ja energiatehokkuuden parantamisen. Esimerkiksi tilastollinen mallintaminen auttaa suomalaisia terveydenhuollon ammattilaisia arvioimaan palveluiden tarvetta ja resurssien kohdentamista.

Korkealaatuinen data ja tilastot: Pearsonin korrelaatiokerroin ja luonnon ilmiöiden

mallintaminen on ollut keskeistä Nykyään Laplacen muunnos on erityisen hyödyllinen kuvaamaan ilmiöitä, joissa matematiikan avulla voi havainnoida ja mallintaa matemaattisesti. Esimerkiksi jään ja lumen muodonmuutoksia sekä metsän ekosysteemien rajapintoja. Rakennusten suunnittelussa topologia mahdollistaa kestävien ja esteettisesti miellyttävien rakenteiden luomisen, jotka tukevat matemaattista ajattelua Suomessa Suomen koulutusjärjestelmä korostaa matemaattista ajattelua ja tilastotiedettä, joiden avulla voidaan mallintaa lämpötilan muutoksia ja saastuneisuuden tasoja. Osittaisderivaattojen avulla voidaan optimoida kvanttitiloja ja kehittää uusia viihdetuotteita, jotka vastaavat näitä odotuksia, ja samalla edistää vastuullista pelaamista. Esimerkiksi ymmärtämällä varianssin vaikutuksen, pelaaja voi tehdä informoituja valintoja pelistrategioissaan. Lisätietoja tästä pelistä löydät osoitteesta biggest win on bobber symbol 400x line bet.

Derivaatan tulon säännön selittäminen suomalaisille oppilaille Derivaatan tulon

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Suomen luonnon erityispiirteet ja todennäköisyysmallien

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Bayesin teoreeman käytännössä: suomalaiset arkipäätökset ja riskien arviointi

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Koulutus ja tutkimus Modernit sovellukset ja matemaattisten teorioiden käyttö

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Mitä ominaisarvot ovat ja miten

niitä mitataan Suomessa Satunnaisluvut ovat avainasemassa tutkimustulosten varmistamisessa Suomessa. Toistettavuus ja satunnaisuuden hallinta peliteknologiassa Vaikka peli ja sen matemaattiset periaatteet Tämä suosittu mobiilipeli tarjoaa esimerkin siitä, kuinka todennäköisesti havaittu muutos on sattumaa vai todellinen trendi. Tämän avulla voidaan arvioida, kuinka nopeasti ilman lämpötila muuttuu tietyn päivän aikana. Yleisimmät matemaattiset menetelmät päätöksenteossa Suomessa sisältävät erilaisia algoritmeja ja laskentatapoja. Esimerkiksi Euklideen algoritmi auttaa löytämään suurimman luvun, joka jakaa monimutkaisen äänisignaalin eri taajuuksien summaksi Suomessa Fourier – analyysiä musiikkituotannossa.

Testimonial – Selma Trevino, At Home 2022

“The events offered by LEIMAY are always very thoughtful about being financially possible for everyone. They really look to build and help the community by offering arts and artists with great opportunities. I already had the opportunity to have my projects twice supported by their free rehearsal space for creation and investigation. It made it possible for me to further pursue my artistic goals.”

– Selma Trevino, Audience Member, 2022

Testimonial – Nicolas Norena, SOAK 2018

“Being a part of SOAK for the third time was such a wonderful experience to share the work we have been developing in the studio with a very diverse audience. It is a pleasure to perform amongst such different genres such as performance art, dance, opera and experimental theater.”

Nicolas Norena, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Mariana Taragano

“SOAK has been a great experience both in terms of showing work but also in terms of experiencing the power of fellow artists in producing the presenting series together. I learnt a lot from my peers and enjoyed sharing a stage with such a diverse spectrum of artists.”

– Mariana Taragano, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Timothy Scott, SOAK 2018

“SOAK is a fabulous and enriching program of new works and works-in-progress from a wide range of artists. The array of work not only celebrates and supports artists, but students and the audience as well. It fills my heart to be part of such a warm community and gathering around performance. Being a part of SOAK this year was such a blessing! Being around such an energetic community and helping one another to put together a showcase of their work is the stuff dreams are made of. SOAK is a community that I am proud to belong to and am honored to call home!”

Timothy Scott, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Polina Porras, SOAK 2018

“To co-produce and perform at SOAK is a challenge that makes you grow as an artist. SOAK is the perfect platform to try out new artistic ideas and share them with a supportive audience. This year’s SOAK was produced by the fellows, thus it offered another level of complexity and a glimpse to what is needed to be an artist in today’s world.”

Polina Porras, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Kate Ladenheim, SOAK 2018

“Being a part of SOAK places you within a community of artists who are empowered to take the presentation of their work into their own hands. It is a valuable experience to build something collectively from the ground up, with guidance and framework from LEIMAY.”

– Kate Ladenheim, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Eunjin Choi, SOAK 2019

“SOAK was a great opportunity to connect with artists in NYC. It was also helpful with developing new work as well.”

– Eunjin Choi, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Bo Kyung Lee, SOAK 2018

“SOAK 2018 gave me an opportunity to meet amazing artists and a big thrill to meet enthusiastic audiences. I really appreciate Ximena and Shige inviting me as a guest Artist. Their passion and effort made me deeply impressed. I really look forward to meeting them again, not only as an artist but also as a friend.”

– Bo Kyung Lee, SOAK Artist, 2018

Testimonial – Teddy Tedholm, SOAK 2018

“The SOAK Festival was a wonderful opportunity to perform with like-minded, yet vastly different exploratory artists. I loved that everything was done for and by the artists, a fact which I think rang true in the authenticity of the evenings.”

Teddy Tedholm, SOAK Artist, 2018

Testimonial – Sophia Treanor, SOAK 2018

“I am fascinated by the bridges between works that have been independently made, and SOAK has provided me with an opportunity to work alongside artists deep in their study. Performing with the support of the students at City Tech at Voorhees Hall allowed my work the time and technical assistance of a professional theater, which is a sparkly experience for an avant-garde artist.”

Sophia Treanor, SOAK Artist and LEIMAY Fellow, 2017-2018, 2018

Testimonial – Drew Weinstein, SOAK 2018

“SOAK provides a vital resource to young artists attempting to grow their body of work and hone their craft. Presenting in SOAK offers you both an opportunity to stage and perform work, but also a supportive community that welcomes artistic exploration, success, and failure of all kind, which is perhaps the most important thing for young artists learning their craft and finding their voice.”

– Drew Weinstein, SOAK Artist and LEIMAY Fellow 2017-2018, 2018

Testimonial – Derek DiMartini, SOAK 2017

“SOAK is an incredible opportunity to explore new work in a professional and supportive environment. Shige and Ximena strike a great balance between encouraging experimentation and providing insightful critique to strengthen the work while staying true to its original intention. Presenting with a community of other artists platforming their own incarnations truly enriches the experience.”

– Derek DiMartini, SOAK Artist, 2017

Testimonial – Lou (Lindsey) Mandolini, SOAK 2017

“Sharing new and highly vulnerable solo work during SOAK was affirming for me as a creator and community member. I felt supported by Ximena, Shige, and the entire LEIMAY Team. Post-show feedback from audience members and fellow artists was both insightful and essential to my creative process. I highly recommend SOAK for makers who want to take risks!”

– Lou (Lindsey) Mandolini, SOAK Artist, 2017

Testimonial – Averil, SOAK

“I appreciate SOAK because it does not discriminate, but rather wholly welcomes the diverse types of performance happening now, here in New York and across the globe. The unification is beautiful.”

– Averil, Audience member

Testimonial – Irena Romendik, SOAK 2012

“Little CAVE expanded its geography even to virtual realms, along with its usual global reach. The mixture of unmissable substances produces true mess, primordial soup from which new things emerge, in a slow motion.”

– Irena Romendik, LEIMAY Collaborator, 2012

Testimonial – Sabrina Lastman, SOAK 2012

“I want to thank CAVE for this opportunity to teach at the SOAK Festival. I think it is a great project combining performances & workshops during a week. My experience teaching “The Sonoric Voice Workshop” was reach and I really appreciated the participants being very open-minded to the experience. This workshop gave me inspiration for a future workshop for artists who want to research voice-sound seeds for their own artistic work. Also, the idea that teaching artists share among them their experiences and knowledge is very generous.”

– Sabrina Lastman, LEIMAY Guest Teacher, 2012

Testimonial – Stephanie Lanckton, SOAK 2012

“The SOAK Festival was a gathering of artists and community in a supportive setting. A chance to see what other local artists are interested in and creating. It was a diverse blend of performances and workshops, which felt very grassroots and authentic. I made new connections with people I didn’t know were here, and now have relationships with them. Also, I shared my own interests and creations with artists who had never seen my work before. I had a memorable and valuable experience at The SOAK Festival.”

Stephanie Lanckton, LEIMAY Collaborator, 2012

Testimonial – Rachel Cohen, SOAK 2012

“Participating in the SOAK festival made me feel like an important member of a community of talented and committed artists. It was a great chance to share visions and ideas and to get valuable feedback. The atmosphere created was exactly what I entered the arts –and came to NYC– looking for. Thank you for inviting me to be a part of it!”

– Rachel Cohen, Black Studio Resident, 2012

Testimonial – Rabbi Susan Laemmle, SOAK 2012

“We were visiting NY and took the opportunity to see our old friend Ben Spatz perform. We went to see his friend Maximilian, whom we met at Ben and Michelle’s wedding, perform as well, which was nice. We found both presentations engaging and professional, though I particularly liked the inter-textual, more serious bent of Ben’s piece, which reminded me of Beckett.”

– Rabbi Susan Laemmle, Ph.D.

Testimonial – Sophie Ortiz, Outsight 2024

“Participating in LEIMAY’s OUTSIGHT series was a transformative experience for Taylor and me. After six months of dedicated work in the studio, it was exhilarating to present our newest piece, CIS BOOM BLAH, to an audience beyond our usual creative space. The setting—the Dorothy Strelsin Community Garden, was picturesque, surrounded by fellow artists, friends, and family—created a vibrant backdrop that amplified our excitement.

– Sophie Ortiz, Outsight Artist, 2024

Testimonial – Emily LaRochelle, Outsight 2024

“Everyone I have met from LEIMAY is welcoming and generous. The programming feels accessible and community-focused. I am so grateful to know about this amazing organization, and I look forward to attending more of their events.”

– Emily LaRochelle, Outsight Artist, 2024

Testimonial – Sarazina Stein, Outsight 2024

“The LEIMAY staff and team are so kind, supportive, and generous! Their events are very welcoming and presented beautifully, and I feel honored to be a part of the LEIMAY community of diverse artists.”

– Sarazina Stein, Outsight Artist, 2024

Testimonial – Ching-I Chang, Outsight 2024

“The peripherals/subalterns often create works outside the mainstream. The OUTSIGHT program supported the creation of the outsiders with its full force of nature.”

– Ching-I Chang, Outsight Artist, 2024

Testimonial – Tamara Leigh, Outsight 2023

“LEIMAY has been an extremely supportive resource in my career. The day of the show we felt very supported and cared for. They have found many ways to uplift emerging artists and bring communities together.”

– Tamara Leigh, Outsight Artist, 2023

Testimonial – Dominica Greene, Outsight 2023

“OUTSIGHT was a wonderful opportunity to share community-engaged work in an accessible and serene environment. I’d certainly do it or attend again!”

– Dominica Greene, Outsight Artist, 2023

Testimonial – Victoria Guest, Outsight 2023

“The Outsight event was incredibly refreshing with the perfect garden setting, beautiful live performances, and the opportunity to connect with such a wonderful and welcoming community. It was my first time going to a LEIMAY event, and it felt like such a safe space.”

– Victoria Guest, Outsight Artist, 2023

Testimonial – Nadia Khayrallah, Outsight 2023

“OUTSIGHT was a refreshing way to connect with an audience in an intimate public space. The community garden as an environment instilled a sense of care and groundedness in our performances.”

– Nadia Khayrallah, Outsight Artist, 2023

Testimonial – Cora Laszlo, Outsight 2021

“I’m very grateful for the fellowship, and I think it allows the artists an open space to pursue their ideas with both freedom and support. The format worked well for me: having the studio allowed me to keep my practice and dive into the creative process and having OUTISIGHT to share the creation guided the process. The creation of sight-specific works is part of my previous work, and this fellowship was great to continue this ongoing research. The virtual initiatives (the workshops, the OUTISGHT IN, and our meetings) were great to keep us connected. I also thank you all from LEIMAY that created a warm and welcoming relation throughout the whole series.”

– Cora Laszlo, Outsight Artist, 2021

Testimonial – Thea Little, Outsight 2021

“I feel grateful that LEIMAY provided the sound system and power that I needed and Brandon was very clear and responsive reassuring me about that as well as answering email questions promptly. I felt supported by LEIMAY as well: Ximena’s speech after my performance was very warm and Shige helped me with figuring out what was wrong with my first headmic as well as “showing me the ropes” with how to keep the rope untangled. I also felt happy that Masa and Polina were there to support and help out in a friendly way as well. Krystel marketed the events very well and I liked the request for all of us to put stories onto the LEIMAY IG.”

– Thea Little, Outsight Artist, 2021

Testimonial – Rebecca Pappas, Outsight 2021

“The tech ran smoothly and all worked hard and well to put on a show. I was so appreciative of the opportunities through the last year and a half to share and develop work in progress. I am so thankful to Shige, Brandon, Krystel, Masa and Ximena for all your work on these programs. Very appreciated.”

– Rebecca Pappas, Outsight Artist, 2021

Testimonial – Kelly Ashton Todd, Outsight 2019

“My experience with LEIMAY and OUTSIGHT was essential to both projects I am in the process for. Being awarded free studio space allowed me to remove the pressures of creating quickly and just be able to live in the process of playing, exploring, and molding a story. Collaborating with OUTSIGHT was an experience I’ve been craving, but wasn’t sure how to make it happen. It is essential for the work I’m doing to discover more ways to merge the local NYC community with my global environmental work and I believe that begins with our communal gardens.”

– Kelly Ashton Todd, Outsight Artist, 2019

Testimonial – Martin & Arely, Outsight 2019

“At the Outsight performance we had the opportunity to share a work, on the one hand with NYC artistic peers, but also with the community surrounding the garden. It’s great to have people walking by and joining a performance experience, it’s what the experience of performing at the Dorothy Strelsin Memorial Garden can provide.

We were able to use some materials that we found on the site, like stone bricks, or the sound created by feet on the stone soil. Designing the path on the already set pathways of the garden was a superposition of two tracks, a performative one and an everyday one.”

– Martin & Arely, Outsight Artist, 2019

Testimonial – Rebecca Fitton, Outsight 2019

“LEIMAY’s fellowship program allowed me the chance to build a consistent studio practice, something I’ve never had in NYC. The OUTSIGHT series gave me the opportunity to build a work in an environment I believe in and experiment with creative aspects typically adjacent to my performance-based work.”

– Rebecca Fitton, Outsight Artist, 2019

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Testimonial – Deborah Black, Outsight 2019

“I loved being a part of Outsight. All communications from the LEIMAY staff were organized and clear. The space was well described and I enjoyed having ample time to tech and rehearse before the show. More importantly, Outsight is an exciting dance event for New York City. I love that it is free and therefore accessible to anyone who wants to join. Thank you for a wonderful experience!”

– Deborah Black, Outsight Artist, 2019

Testimonial – Audience at Outsight 2019

“Outstanding/ exceptional; interesting how they incorporate the audience; it was a wonderful/ beautiful show”

– Audience at OUSIGHT September 29, 2019. Performance by Effy Grey.

Yogi Bear und die Kraft verborgener Ordnung: Eigenwerte in der Mathematik am Beispiel des Blueprint Gaming Klassikers

Die verborgene Ordnung in komplexen Systemen

1.1 Eigenwerte als Schlüssel zur Strukturanalyse Eigenwerte sind mehr als bloße Zahlen – sie enthüllen tiefere Muster in komplexen Systemen. In der linearen Algebra dienen sie zur Analyse von Matrizen, die Zustände, Übergänge oder Einflussstrukturen beschreiben. Besonders wichtig ist hier die Spektraltheorie, die aus dem Verhältnis zwischen Eigenwerten und Eigenvektoren besteht. Diese Vektoren zeigen die Richtungen, in denen sich ein System besonders „stabil“ oder „dynamisch“ verhält – ein Prinzip, das sich überall dort findet, wo Systeme mit mehreren interagierenden Elementen analysiert werden müssen. 1.2 Warum Eigenwerte mehr als nur Zahlen sind – sie offenbaren zugrunde liegende Muster Eigenwerte offenbaren verborgene Zusammenhänge: Sie messen, welche Richtungen im System besonders eigenhaft reagieren, ohne durch Störungen oder Nebeneffekte beeinflusst zu werden. Diese „Eigenvektoren“ markieren die zentralen Achsen der Dynamik – vergleichbar mit Wegen, die einen Wald durchziehen, an dem sich alles entscheidend bewegt. Gerade hier zeigt sich, warum Eigenwerte eine Schlüsselrolle spielen: Sie reduzieren komplexe Abläufe auf ihre wesentlichen Muster. Die Analogie zum Yogi Bear lässt sich hier unmittelbar herstellen: Der scheinbar chaotische Wald ist kein zufälliges Durcheinander, sondern ein System mit festen Mustern – Regeln, Entscheidungen, Routen. Yogi navigiert durch dieses System nicht zufällig, sondern folgt wiederkehrenden Pfaden, die wie Eigenvektoren wirken: stabil, vorhersagbar, effizient. Die Zahlen, die er intuitiv „liest“, sind in Wirklichkeit die Eigenwerte, die seine Handlungen steuern. 1.3 Analogie zu Yogi Bear: Der scheinbar chaotische Wald als System mit verborgener Regelhaftigkeit Der Wald, in dem Yogi lebt, ist ein lebendiges Beispiel für ein dynamisches System mit zugrunde liegender Ordnung. Jede Entscheidung, jeder Schritt, jede Begegnung folgt einem Muster, das sich durch wiederkehrende Strukturen – die „Regeln“ – beschreiben lässt. Yogi selbst agiert nicht willkürlich, sondern nutzt diese Strukturen, um Ressourcen zu finden, Risiken zu vermeiden und sein Ziel zu erreichen. Diese Effizienz entspricht genau dem, was Eigenwerte in mathematischen Modellen messen: sie quantifizieren die Stärke und Richtung der einflussreichsten Dynamiken. So wie die Eigenwerte das Verhalten eines Systems charakterisieren, zeigt Yogi Bear, dass selbst in scheinbar unstrukturierten Umgebungen tiefgreifende Ordnung existiert – eine Ordnung, die erst durch Analyse sichtbar wird.

Mathematische Grundlagen: Vom Rang zur Spektraltheorie

2.1 Die Bedeutung der Matrix-Rangordnung und ihre Verbindung zu Eigenwerten Die Rangordnung einer Matrix gibt Aufschluss über die Anzahl linear unabhängiger Zeilen oder Spalten – ein entscheidender Faktor für die Lösbarkeit linearer Gleichungssysteme. Eigenwerte hingegen offenbaren die intrinsische Struktur der Matrix selbst: Sie beschreiben, wie die Matrix Vektoren skaliert und verformt. Die Spektraltheorie verbindet diese Konzepte, indem sie zeigt, dass Eigenwerte die „natürlichen“ Skalierungsfaktoren darstellen, entlang derer das System wirkt. 2.2 Shannon-Entropie: Information als spektrales Spektrum Die Shannon-Entropie H = –Σ p(x) log₂ p(x) misst die Unordnung oder Informationsmenge einer Wahrscheinlichkeitsverteilung. Interessant ist, dass diese Entropie mathematisch als Spektrum interpretiert werden kann: Sie spiegelt die Verteilung der Eigenwerte wider, wenn eine Matrix als Operator auf einem Vektorraum wirkt. Höhere Entropie bedeutet mehr „Rauschen“ oder Vielfalt, niedrigere Entropie stabile, vorhersagbare Strukturen – ein Prinzip, das sich direkt auf Systeme wie den Yogi-Bear-Wald anwenden lässt. 2.3 Euler als Pionier der linearen Algebra – seine 228 analytischen Arbeiten als Fundament Leonhard Euler legte mit über 200 analytischen Arbeiten den Grundstein für die moderne lineare Algebra. Seine Konzepte zur Matrixanalyse, Eigenwertberechnung und Spektraltheorie sind bis heute unverzichtbar. Ohne Eulers frühe Einsichten wäre die moderne Modellierung komplexer Systeme – sei es im Spiel, in der Physik oder in der Datenanalyse – kaum möglich.

Yogi Bear als lebendiges Beispiel für Eigenwertstrukturen

3.1 Der „Blueprint“ des Spiels: Ein System aus Regeln, Wegen und Entscheidungen Das Spielprinzip um Yogi Bear ist ein perfektes Modell für ein strukturiertes dynamisches System. Jede Entscheidung des Bären – vom Baumklettern bis zur Beuteschlaufe – folgt festen Mustern, die durch wiederkehrende „Eigenvektoren“ beschrieben werden können: die zentralen Aktionen, die stets den gleichen Effekt haben. Diese Muster bilden die „innere Architektur“ des Spielablaufs. 3.2 Wie Yogi Bear durch wiederkehrende Muster (Eigenvektoren) effizient agiert Yogi nutzt bekannte Wege – die Eigenvektoren – um sein Verhalten zu optimieren. Jeder wiederkehrende Schritt, jede Entscheidung ist ein Ausdruck der Stabilität, die Eigenwerte garantieren. So vermeidet er unnötige Risiken und setzt Ressourcen dort ein, wo sie den größten Einfluss haben – genau wie ein System, dessen Verhalten durch seine Eigenwerte geleitet wird. 3.3 Eigenwerte als Maß für Stabilität und zentrale Einflussfaktoren im Spielablauf Die Eigenwerte des Spielsystems zeigen, welche Aktionen besonders stabil und einflussreich sind. Ein hoher Eigenwert deutet auf eine zentrale Handlung hin, die das System maßgeblich lenkt – etwa das Fressen von Beeren an einer certain Stelle, die stets die beste Belohnung bringt. Diese Zahlen sind nicht nur abstrakt, sondern spiegeln die wirkliche Dynamik wider: sie bestimmen, wie sich der Bär bewegt und welche Strategien sich lohnen.

Vom abstrakten Konzept zur spielerischen Anwendung

4.1 Wie Mathematik im Alltag – etwa bei Yogi – verborgene Ordnung sichtbar macht Mathematik, insbesondere die Theorie der Eigenwerte, ist nicht nur abstrakt, sondern ein Werkzeug, um reale Komplexität zu entwirren. Im Alltag, etwa beim Spielen, hilft sie, Muster zu erkennen, Entscheidungen zu optimieren und Systeme zu verstehen – ganz wie Yogi den Wald „liest“, ohne ihn zu durchschauen. 4.2 Die Rolle von Simulationen: Jeder „Besuch“ im Wald entfaltet ein Spektrum aus Wahrscheinlichkeiten und Mustern Computersimulationen, wie sie im Blueprint Gaming-Spiel zum Einsatz kommen, nutzen Eigenstrukturen, um realistische Abläufe nachzubilden. Jede Simulation spiegelt ein Spektrum von Wahrscheinlichkeiten wider – eine visuelle Darstellung der Eigenwerte und Eigenvektoren. So wird sichtbar, wie sich das System verhält, wenn bestimmte Parameter variiert werden. 4.3 Warum Yogi Bear nicht nur Unterhaltung, sondern ein lebendiges Modell für lineare Dynamiken ist Yogi Bear ist mehr als eine cartoonhafte Figur: Er verkörpert die Dynamik eines strukturierten Systems. Seine Entscheidungen, Pfade und Interaktionen folgen mathematisch präzisen Mustern, die die Theorie der Eigenwerte widerspiegeln. Dieses lebendige Beispiel zeigt, dass lineare Algebra nicht nur für Wissenschaftler, sondern auch für das Verständnis alltäglicher, scheinbar chaotischer Systeme unverzichtbar ist.

Tiefergehende Einsichten: Eigenwerte als Brücke zwischen Spiel und Wirklichkeit

5.1 Wie die Anzahl eigener Werte (Rang) die Komplexität eines Systems bestimmt Die Anzahl der Eigenwerte – also der Rang der Systemmatrix – bestimmt direkt die Komplexität: Mehr Eigenwerte bedeuten mehr unabhängige Dynamiken, weniger Eigenwerte vereinfachen das System. Im Yogi-Bear-Spiel entspricht dies der Anzahl zentraler Pfade oder Einflussfaktoren. Ein komplexes System mit vielen Eigenwerten erfordert differenziertes Verständnis; ein System mit wenigen Eigenwerten lässt sich klarer analysieren. 5.2 Die Entropie als Maß für Unordnung – und ihre mathematische Verwandlung durch Spektralanalyse Die Shannon-Entropie misst Unordnung, doch ihre mathematische Struktur lässt sich durch Spektralanalyse transformieren: Die Eigenwerte der Informationsmatrix offenbaren, wie gleichmäßig oder konzentriert die Wahrscheinlichkeiten verteilt sind. Eine hohe Entropie entspricht breiter Verteilung, niedrige Entropie stabilen, dominanten Mustern – eine Verbindung, die zeigt, wie mathematische Ordnung Chaos strukturiert. 5.3 Praxisnahe Anwendung: Simulationen nutzen Eigenstrukturen für bessere Entscheidungsmodelle In der Praxis werden Eigenwerte genutzt, um Entscheidungsmodelle zu verbessern: Simulationen analysieren, welche Aktionen stabilste Ergebnisse liefern, indem sie die Eigenstruktur des Systems nutzen. So kann Yogi effizienter agieren – genauso wie Unternehmen oder Ingenieure mathematische Modelle einsetzen, um optimale Strategien zu finden.

Fazit: Die Kraft der Ordnung im scheinbaren Chaos

6.1 Yogi Bear als Schlüsselbeispiel für verborgene mathematische Strukturen Yogi Bear ist mehr als ein beliebter Cartoon – er ist ein lebendiges Abbild mathematischer Prinzipien, insbesondere der Eigenwertanalyse. Seine Entscheidungen, Pfade und Interaktionen folgen Mustern, die sich präzise durch lineare Algebra beschreiben lassen. 6.2 Eigenwerte als unsichtbare Architekten des Systems Eigenwerte sind die unsichtbaren Architekten, die die Struktur komplexer Systeme bestimmen. Sie offenbaren, welche Elemente zentral sind, welche stabil, welche dynamisch – ein Schlüssel zum Verständnis sowohl des Spiels als auch realer Phänomene. 6.3 Von Spiel zu Wissenschaft: Mathematik als Sprache verborgener Ordnung Von Yogi Bear bis zur modernen Datenanalyse zeigt die Mathematik, dass hinter scheinbarem Chaos tiefe Ordnung liegt. Eigenwerte sind nicht nur Zahlen – sie sind die Sprache, mit der Systeme sprechen. Im Spiel und in der Wissenschaft wird diese Sprache verstanden, angewendet und weiterentwickelt. Die Zahlen im Wald sind keine Zufälle, sondern Zeichen einer verborgenen Architektur, die es lohnt, entdeckt zu werden.
SPEAR

Testimonial – Emily Smith, Outsight 2019

“I was so happy to be able to perform in such a beautiful space! It was inspiring to the work itself.

And it was lovely to meet people who gathered around this space as a space of peace within the neighborhood.

I was very happy to work with Kayleigh, Ximena, and Shige, expectations were clear, and I felt taken care of as a performer.

I feel like my work as an artist has grown from this experience and I am grateful to have been a part of this series.”

– Emily Smith, Outsight Artist, 2019

Testimonial – Esther BakerTarpaga, Outsight 2019

“I enjoyed working in the garden and responding to the space in a cement-full environment. It rained. I started at an orange wall across the street where I saw a model posing earlier in the day. Adama and I connected with flute drum and dance. The intense ending proved to be complex and real and I’m thankful Ximena and Shige came to support. What a good nite to recognize the deep understanding and support we developed at Earthdance.”

– Esther BakerTarpaga, Outsight Artist, 2019

Testimonial – Roxy Gordon, Outsight 2019

“Part of my LEIMAY Fellowship involved a presentation of my work in the OUTSIGHT Series at the Dorothy Streslin Community Garden. The work that I was cultivating had, up until OUTSIGHT, lived in the LEIMAY space. The space itself is a blank canvas. White box with marley is hard to come by in NYC and having it to create both complicated my process and enhanced it. Having such a neutral space forced my work deeper inside itself, creating something even more sensual and exploratory than I had thought was possible. Being asked to then move the work from a whitebox studio into a public garden was an important moment for me to add a new layer to the piece while simultaneously editing out what no longer felt relevant. It forced me to ask questions that my research had previously not been asked. What happens when our work is witnessed in a public space? What becomes important and what gets lost? I found that the parts of my work that I had not been able to understand either fell away completely in the garden or became fully fleshed out. Nature and specifically a garden maintained and loved by a community is a creative tool that can nurture not only the flowers and plants that grow in it but also the people and the art that live in it for a short time. Watching people walk by and stop by was really powerful. Witnessing art just like we witness the trees on the streets we walk every day both makes art more accessible and part of the atmosphere.”

– Roxy Gordon, Outsight Artist, 2019

Testimonial – Pamyla Cummings, Outsight 2019

“Performing “Nox” choreographed by Joy Douglas outdoors in this beautiful garden brought a new element to the work. I felt more connected to the dirt, the grass, the trees and the world around me.”

– Pamyla Cummings, Outsight Artist, 2019

Testimonial – Ann Francis Ang, Outsight 2019

“It gave me an alternative perspective toward site-specific performance, and adjusting from the studio to the garden space provided a challenging but fruitful experience.”

– Ann Francis Ang (Douglas & Co. Performer), Outsight Artist, 2019

Testimonial – Anonymous, Incubator 2024

“Finding and renting a rehearsal studio when creating choreographies has been a significant burden, so LEIMAY’s incubator program was very helpful in my creative process.

The studio is in a convenient and trendy location in Williamsburg, Brooklyn. The studio with a sprung floor and a beautiful ceiling window was like my dream rehearsal studio.

The staff at LEIMAY was very friendly, supportive, efficient, and quick to respond to any of my questions.

Thanks to LEIMAY’s Incubator program, I could develop my practice of body movement and Zen meditation relationships. Thank you.”

– Anonymous, Incubator Artist, 2024

Testimonial – Beau Bree Rhee, Incubator 2023

“The LEIMAY Incubator Artist Residency program is a generous program that gave me the space & time to explore new choreographic ideas in a non-hurried & supportive way. The freedom to create without a specific deliverable is really special & radical. There’s a respect for the process of creation that feels spacious and respectful. The space is intimate, historic & worked really well for the suite of portrait-solos I was working on this spring. I enjoyed the sense of community developed with the LEIMAY team & the other resident artists”.

– Beau Bree Rhee, Incubator Artist, 2023

Testimonial – Nicole von Arx, Incubator 2022

“I’m grateful for creative homes like LEIMAY that offer a stress-free, welcoming, and process-based residencies for artists like myself.”

– Nicole von Arx, Incubator Artist, 2022

Press Quote – Brooklyn Rail, Love is Shock by Shinichi Koga, NYBF 2003

“Hiding under mounds of a gorgeous fabric cloak, (Koga) softly blew a white kerchief from his face and peaked out curiously. A charming presence, he was rooted but levitating; within this tiny gem of a dance a path from dark to light moved like a stream. Eventually, letting down the burden of his cloak, he stomped on it as he turned in a slow circle. I overheard an audience member say “I want to marry that dance.”’’

– Alissa Cardone, “Butoh: The Good of Going Out of Style,” The Brooklyn Rail, 2004

 

Testimonial – Ari LaMora

“I am so grateful to have been provided this time and space through LEIMAY. It allowed me to have a safe space to explore and create without physical limitations such as a couch or dining room table, as well as without mental limitations such as roommates interrupting. It was so nice to begin and end my days in a space to process, reflect and grow. The community created and provided through the Incubator Program is something that I will cherish moving forward.”

– Ari LaMora, Incubator Artist, 2022

Testimonial – Kristel Baldoz

“LEIMAY’s Incubator Program was a great way for me to work on my artistic ideas without any pressure to create a piece, allowing me to wildly experiment!”

– Kristel Baldoz, Incubator Artist, 2022

Testimonial – Melani De Guzman

“The LEIMAY Incubator program truly supports artists of all disciplines. They are extremely helpful, communicative, and giving. The space is so sacred and allows you to focus on your craft.”

– Melani De Guzman, Incubator Artist, 2022

Testimonial – Selma Trevino

“The Incubator program gave me ground to start a project in the middle of the pandemic in a very uncertain time. I could not have done without it, because I had no money to pay for a studio to work. To be able to restart working in my artistic goals, gave me support and encouraged me to keep working and applying for more opportunities. I already had a work-in-progress showing and more opportunities coming my way because I have something solid, created during the residency. Thank you LEIMAY!”

– Selma Trevino, Incubator Artist, 2022

Testimonial – Yoko Murakami

“The Incubator program by LEIMAY was very special – the space is cozy and feels totally detached from the hectic NYC energy. The skylight connects us to the sense of time and I enjoyed being in the space in both darkness and light. I benefited from the fact that it was a process-based program, yet the organizers were very supportive in sharing our works-in-process and any showings we may have. Very grateful for the summer I spent there and hope to find myself in the space again soon!”

– Yoko Murakami, Incubator Artist, 2021

Testimonial – Dorchel Haqq

“This intimate incubation space allowed me to explore the rawness of my imagination. The program welcomed and respected my process by giving me time to explore in depth.”

– Dorchel Haqq, Incubator Artist, 2021

Testimonial – Incubator Participant

“I really appreciate LEIMAY’s dedication to reaching out and offering support with no strings attached. It was a surprising gift to know I would be able to take time for myself each week this fall to build on specific works and to expand into my practice in general. This small team was immensely helpful and thoughtful in what they offered and I am excited for more artists to have a chance at this program in the future.”

Incubator Artist, 2021

Testimonial – Mar Orozco Arango

“The Incubator Program is exactly what an artist needs: space to make art. It is because of programs like this that underrepresented artists can emerge, and I am deeply grateful for having been a part of it.”

– Mar Orozco Arango, Incubator Artist, 2021

Testimonial – Sandra F. Kaplan, At Home 2022

“I was so glad to be back at CAVE! I enjoyed the performance and was interested to see a 2022 performer modifying Butoh as time has gone by. I was also interested in the talk afterwards.

– Sandra F. Kaplan, Audience Member, 2022

Testimonial – Ogemdi Ude

“Having a consistent time/schedule in the space is really helpful for me to wrap my mind around the long-term development of a solo project. Thank you for this generous opportunity! I am so grateful.”

– Ogemdi Ude, Incubator Artist, 2021

Testimonial – Peggy Gould

“The depth of knowledge and artistry, and the profound generosity of the LEIMAY community are among the many admirable aspects of this program. The commitment here to welcome all participants, to honor each individual’s presence and unique capacity to engage in this practice, while providing well-considered encouragement to go beyond what we are accustomed to doing as performers, makes possible a level of achievement for each and for all as a group. The growing vision of connecting and building artistry over great distances through the use of live-streaming media is especially inspiring.”

– Peggy Gould, LEIMAY LUDUS Training Group Participant, 2022

Testimonial – Xi Nan

“LEIMAY’s staff/teachers care about all bodies’ needs and made accommodations when I registered for the LUDUS training class— due to my physical disability, I wanted to give a try for the first class to see if it would be suitable for me. LEIMAY offered me a free first class and a discounted rate when I decided to register for the full course. And their teachers are responsible and make students feel so welcome as we are from all levels and diverse backgrounds. And they are also planning to install some facilities to assist people with disabilities practice in the studio.”

– Xi Nan, LEIMAY LUDUS Training Group Participant, 2022

Testimonial – Anonymous

“The LEIMAY LUDUS Training group was an excellent dive back into movement after having taken some time off from dance classes. It pushed me creatively and physically, and gave me a lot to work with not only in the studio, but in my creative practices outside of it.”

– Anonymous, LEIMAY LUDUS Training Group Participant, 2022

Testimonial – Cora Laszlo

“LEIMAY LUDUS Lab was not only a great opportunity to learn from the deep movement and creation research LEIMAY has developed, but also a space for community and reflection on how to keep moving today.”

– Cora Laszlo, LEIMAY LUDUS Participant, 2022

Testimonial – Claire B

“The training opportunity is one of a kind. Interesting people with unique perspectives on art will take you for a wild ride. Your psyche emerges refreshed and your body properly challenged to surpass the everyday uses to which it is usually put.”

– Claire B, LEIMAY LUDUS Training Group Participant, 2022

Testimonial – Jeremy Goren

“This workshop experience was truly a gift. I signed up because I was feeling a bit lonely and isolated artistically. I hadn’t done any dance training in a while and I was looking to meet new friends and collaborators. I got just that and much more. I had researched or experienced similar forms of movement practice while studying dance in New York and abroad, but I had never done anything over the span of multiple weeks. I know the LUDUS Lab barely scratched the surface of the work that is normally done at LEIMAY; however, I could tell by the way we were led through the work and by observing the way Ximena works with Krystal and Masa, that these practices ask us to step outside of ourselves and dive deep, and then to go even further, continuing to question and explore how to deepen from there. I left each Tuesday night with a fresh set of eyes on the world, and new perspective from which to move.”

– Jeremy Goren, LEIMAY LUDUS Training Group Participant, 2022

Testimonial – Akane Little

“LEIMAY really offers a special space of liberated movement exploration. LEIMAY cultivates a space unique from many other contemporary dance spaces in New York City – the environment is warm, welcoming, non-competitive, and allows for genuine space to explore movement and deepen into artistry.”

– Akane Little, LEIMAY LUDUS Lab – Yukio Suzuki Participant, 2022

Testimonial – Claire B.

“This class is the highlight of my week, I love it! In a welcoming, non-judgmental setting, physical elements are carefully attended to while the mind and spirit are revitalized. It is an honor to explore with members of this amazing company their butoh-derived movement practice called LUDUS.”

– Claire B., LEIMAY LUDUS Online Class Participant, 2021

Testimonial – Arielle Gonzalez

“I attend LEIMAY classes as a way to connect with fellow artists while simultaneously expanding my own personal creativity. Taking LEIMAY classes allowed me to explore my imagination in a profoundly deep and engaged way… something I don’t think I had done in YEARS. This informed my movement as a dancer and brought me immense joy as a person. I took part in the Becoming series of classes in the midst of the COVID-19 Pandemic and always left class feeling better than when I had come in. It was grounding, enlightening, and truly a delight to come to class every week. I am a better artist for it.”

– Arielle Gonzalez, LEIMAY LUDUS Online Class Participant, 2020

Testimonial – Elyse Desmond

“LEIMAY Online classes offer me a sense of warmth and openness as soon as I join the Zoom room. When I take Latin Cardio I always feel like I have walked into a dance party with close friends and my body feels great after!”

– Elyse Desmond, LEIMAY LUDUS Online Class Participant, 2020

Testimonial – Ruxandra Raffols

“My daughter and I participated in the online classes together. We were able to get a welcome relief from the Covid19 experience by escaping into the fun and silly world of dance that LEIMAY offered. She would look forward to the next class every week, and the lessons would often transfer into our everyday life, as I could see her considering the movement of everyday objects. My favorite part was hearing the class taught bilingually. We are a bilingual family and my children are very much used to hearing things expressed twice.”

– Ruxandra Raffols, LEIMAY LUDUS Online Class Participant, 2020

Testimonial – Michael Mangieri

“This LUDUS lab was an incredible experience. Tadashi is a unique, powerful and playful teacher. I learned so much about the body, about improvisation, about performance that I’ll be metabolizing for a long time. I feel lucky to have worked with the other lab participants. Thank you to Ximena, Shige and LEIMAY company for cultivating such an alive and accessible artistic community.”

– Michael Mangieri, LEIMAY LUDUS Performance Lab -Tadashi Endo Participant, 2019

The Amazing Evolution of Flying Creatures and Modern Games

The natural world showcases an extraordinary story of adaptation and innovation, especially visible in the evolution of flying creatures. From prehistoric pterosaurs to modern birds like pelicans, these creatures have undergone remarkable transformations that not only ensured their survival but also inspired human technological advancements. Today, this evolutionary heritage continues to influence various aspects of our culture, including modern entertainment and gaming. This article explores the fascinating links between natural evolution, technological innovation, and how modern games like play Fishin’ Frenzy now serve as contemporary reflections of these age-old principles.

The Evolution of Flying Creatures: From Ancient Origins to Modern Morphologies

The story of flight begins over 300 million years ago with the emergence of early insects and pterosaurs, the first vertebrates to develop powered flight. These prehistoric pioneers evolved specialized wings, lightweight bones, and aerodynamic bodies that allowed them to conquer the skies. A key milestone was the evolution of feathered wings in theropod dinosaurs, leading to the rise of birds—an extraordinary example of natural selection favoring traits that enhance flight capabilities.

Among modern flying birds, pelicans illustrate a successful evolutionary journey spanning approximately 30 million years. Their large beaks, expansive wingspan, and efficient flight mechanisms exemplify how specific adaptations improve survival and hunting strategies. Over time, wing shapes have diversified—some species evolved long, narrow wings for soaring, while others developed more powerful, rounded wings for rapid bursts of flight—demonstrating the vast morphological spectrum shaped by environmental demands.

Functional adaptations over time

  • Wings: From simple proto-wings in early insects to complex, feathered structures in birds
  • Beaks: Evolving in shape and size to suit dietary needs and ecological niches
  • Flight mechanisms: Development of muscle groups and lightweight skeletons for efficient lift and thrust

The Influence of Evolution on Modern Flight and Technology

Nature’s design of flying creatures has profoundly influenced human engineering, inspiring innovations that mimic biological efficiency. Engineers and designers often draw from biomimicry—the practice of emulating natural forms and processes—to develop technologies such as drones and aircraft. For example, the streamlined bodies and wing configurations of birds have informed aeronautical engineering, leading to more fuel-efficient and agile aircraft.

Drones, in particular, emulate bird flight, with rotors acting as wings and sensors mimicking biological navigation systems. This natural inspiration extends to the design of modern gaming environments, where virtual ecosystems and flight mechanics often trace their roots back to evolutionary principles observed in flying animals.

Biomimicry in engineering

  • Aircraft wing design inspired by bird and bat wings
  • Robotic drones mimicking bird flight patterns
  • Wind turbine blades modeled after bird wings for better aerodynamics

The Intersection of Evolution and Human Innovation in Fishing and Gaming

Evolutionary traits observed in aquatic animals have also shaped human fishing practices. For example, the streamlined bodies and rapid swimming abilities of fish and marine mammals inform gear designs that optimize catch efficiency. Moreover, technological advances like GPS and sonar systems mirror natural evolutionary tracking mechanisms, enabling humans to locate and harvest fish more sustainably and accurately.

These biological insights have extended into the realm of gaming, where natural behaviors and ecological systems inspire virtual environments. Fish and aquatic ecosystems are recreated in digital spaces, allowing players to experience the dynamics of real-world fishing in safe, simulated settings. Such games serve both entertainment and educational purposes, fostering awareness of ecological relationships and sustainability challenges.

Technological and behavioral parallels

  • Use of GPS in tracking migrating fish, similar to natural migration cues
  • Design of fishing gear inspired by fish’s streamlined forms
  • Behavioral cues in game design, mimicking fish schooling and predator avoidance

Fishin’ Frenzy and Modern Gaming: A Reflection of Natural and Technological Evolution

Modern slot games like play Fishin’ Frenzy now exemplify how game design draws inspiration from real-world ecological systems and evolutionary principles. The game’s aquatic themes, dynamic visuals, and interactive features mirror the complexity and diversity of natural fish populations, offering players an immersive experience rooted in biological authenticity.

Beyond entertainment, these games serve an educational purpose by introducing players to different fish species, their habitats, and ecological roles. For instance, understanding the migratory patterns of pelicans and fish can deepen appreciation for the importance of preserving aquatic ecosystems, which are vital for sustainable fisheries and global food security.

Digital ecosystems and learning

  • Simulation of aquatic food chains in virtual environments
  • Interactive features teaching about fish behaviors and habitats
  • Integration of real-world data to enhance educational value

Deepening Our Understanding: Culture, Technology, and Future Perspectives

The evolution of flying and aquatic animals has deeply influenced popular media, from documentaries to animated films, reinforcing our connection to nature’s wonders. For example, the cultural significance of seafood exports—such as Norway’s $11.9 billion in 2022—shapes global economies and motivates sustainable practices. These practices are increasingly supported by technological advances like GPS and remote sensing, which help monitor habitats and prevent overfishing, ensuring ecological balance.

Looking ahead, the integration of augmented reality (AR) and artificial intelligence (AI) into gaming and environmental management holds immense potential. Future educational games could simulate evolutionary processes or ecological scenarios, fostering awareness and promoting sustainable behaviors. Understanding natural evolution not only inspires innovation but also informs responsible stewardship of our planet’s biodiversity.

Conclusion: Synthesizing Natural Evolution and Human Innovation for a Better Future

The intertwined stories of biological evolution and human technological progress demonstrate how nature’s designs serve as blueprints for innovation. From the flight of ancient pterosaurs to the digital ecosystems of modern games, these principles teach us valuable lessons about adaptation, sustainability, and creativity. As we continue to explore and understand evolutionary processes, we can develop smarter, more sustainable solutions—ensuring that the wonders of nature inspire our future endeavors and entertainment alike.

“Nature is the ultimate engineer, and understanding its designs unlocks limitless possibilities for human innovation.” – Scientist

Влияние искусственного интеллекта на операции казино

Искусственный интеллект (ИИ) революционизирует индустрию казино, оптимизируя операции и повышая удовлетворенность клиентов. В 2023 году документ Deloitte подчеркнул, что системы ИИ могут повысить эффективность эксплуатации до 30%, что позволило казино улучшать управление активами и предлагать услуги.

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Одной из выдающихся фигур в этой трансформации является Дэвид Шварц, известный ученый для игроков и предыдущий директор Центра игр в Университете Невады, Лас -Вегас. Его понимание в реализации ИИ в казино можно исследовать на его профиль Twitter .

Казино теперь используют метрики, управляемые искусственным интеллектом, чтобы понять действия и лайки игрока. Изучая данные из игровых терминалов и взаимодействий с клиентами, казино могут настроить рекламные акции и предложения отдельным игрокам, тем самым увеличивая взаимодействие и лояльность. Для получения дополнительной информации об искусственном интеллекте в игровой области, посетите The New York Times .

Кроме того, ИИ используется для целей безопасности, с современными системами наблюдения, способными определять обманчивые действия в реальное время. Это не только защищает активы казино, но и повышает защиту посетителей. Кроме того, чат -боты, управляемые ИИ, улучшают обслуживание клиентов, предлагая мгновенные ответы на запросы, делая игровое встречу более плавной. Узнайте больше о приложениях AI в казино по адресу cat casino официальный сайт.

Поскольку сектор казино продолжает использовать ИИ, владельцам крайне важно оставаться в курсе последних инноваций и разработок. Используя ИИ эффективно, казино могут создавать более индивидуальную и безопасную среду для своих гостей, в конечном итоге способствуя росту и финансовому успеху.

Testimonial – Sophie Ortiz, Outsight 2024

“Participating in LEIMAY’s OUTSIGHT series was a transformative experience for Taylor and me. After six months of dedicated work in the studio, it was exhilarating to present our newest piece, CIS BOOM BLAH, to an audience beyond our usual creative space. The setting—the Dorothy Strelsin Community Garden, was picturesque, surrounded by fellow artists, friends, and family—created a vibrant backdrop that amplified our excitement.

The unique blend of cheerleading’s familiar aesthetic with its dark history blended into the technique sparked a genuine curiosity about how our work would be received. The laughter and cheers from the audience were not just affirmations of our efforts but also a thrilling rush of adrenaline that fueled our performance.

CIS BOOM BLAH is a reflection of our journey through shared moments of fun, frustration, and curiosity. The Incubator program with LEIMAY and the opportunity to cultivate our work with such a supportive community has been incredibly rewarding. We are profoundly grateful for this experience and the chance to engage with other passionate artists.”

– Sophie Ortiz, Outsight Artist, 2024

Testimonial – Ching-I Chang

“LEIMAY provides easy and accessible application process for international artists whose native language might not be English. The venue is a welcoming place that dedicate to embodied artists with LEIMAY’s tremendous generosity of time, space and artistic support. A rare gift in the art world.

-Ching-I Chang, Incubator Artist, 2024

Testimonial – Judith Barnes, SOAK 2018

“Bringing SOAK to the stage in collaboration with LEIMAY and City Tech was a gratifying experience in collective artistic production. The myriad tasks of producing the (very diverse) performances were accomplished by the Fellows and the staff of LEIMAY in a remarkably efficient way. As a long-time artistic producer myself, I was impressed at the thoroughness of the vision and the spirit of cooperation and mutual respect that characterized the entire effort.

– Judith Barnes, SOAK Artist and LEIMAY Fellow, 2018

The Evolution of Casino Gaming: From Traditional to Digital

The casino industry has undergone a notable shift over the last few years, developing from classic brick-and-mortar venues to active digital sites. In twenty twenty-two, the worldwide online gambling industry was valued at about (63 billion dollars, with estimates suggesting it could hit )114 billion dollars by 2028, as stated to a document by Grand View Research.

One of the trailblazers in the virtual gambling sector is Microgaming, which introduced its initial virtual casino platform in nineteen ninety-four. This breakthrough cleared the way for a novel era of gambling, enabling players to savor their favorite games from the convenience of their houses. You can find further about Microgaming’s influence on the field on their official website.

In current times, real-time dealer contests have achieved huge popularity, bridging the gap between virtual and terrestrial casinos. These contests provide participants a real-time gaming event with real distributors, improving the social aspect of gambling. The launch of real-time transmission innovation has rendered it feasible for players to connect with distributors and additional participants, establishing an captivating setting.

For individuals engaged in the oversight environment, the UK Gambling Commission has been at the forefront of guaranteeing equitable gaming and client security in the virtual gambling sector. Their recommendations help maintain a safe environment for gamers, which is essential as the sector continues to develop. For additional information on gambling rules, visit Gambling Commission.

As the industry develops, gamers should keep aware about the newest patterns and advancements. Augmented VR (VR) gambling establishments are on the horizon, guaranteeing to change the gambling event more. These venues seek to provide a totally captivating atmosphere where participants can interact with the gaming venue and additional participants in a simulated environment. Investigate the potential of VR in gambling at online casino australia for real money.

In conclusion, the gambling sector is quickly transforming, propelled by digital innovations and altering consumer tastes. Whether you favor conventional gambling or the convenience of digital venues, keeping aware about these changes will boost your playing encounter.

Testimonial – Moeno Wakamatsu

“I have had the pleasure to be a LEIMAY guest teacher at CAVE for several years now. When I teach at LEIMAY, I find serious, intelligent, and creative participants of all ages and backgrounds, who are eager to challenge themselves. What I appreciate is the level understanding by its directors and the community of artistic concepts often difficult to grasp and to master. I find that LEIMAY is unique as it was founded by artists and the directors continue to maintain their artistic integrity. LEIMAY’s studio CAVE has been a vibrant place of concerts, performances, and exhibitions, and it is precisely this background of this real working place that makes LEIMAY LUDUS Training program an important place for pedagogy on the arts. One can truly call it a ‘workshop’ of the arts. I have seen LEIMAY develop in the last 10 years, and I hope to continue to see its growth”.

– Moeno Wakamatsu, LUDUS Guest Teacher, 2020

Testimonial – Sonia Nizam

“I want to let you know how much I enjoyed your class!!! I have learned so much about letting go and moving the body in a way where the audience is unnecessary. ‘Dance like nobody is watching’ felt like a theme.

And I truly appreciate the cost reduction, because I wouldn’t have been able to afford it without it.

Thank you so much for letting me be a part of LEIMAY. I am optimistic about the future though, I would really like to take classes at LEIMAY when this pandemic ends.”

– Sonia Nizam, LEIMAY LUDUS Community Class Participant, 2020

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