Tags: extinction rituals, vocals
Arte, territorio y memoria: Conversatorio “Rituales de Extinción” desvela la fusión creativa en el Delia Zapata Olivella
En Revista Ciudadana celebramos la articulación entre el arte y el territorio. Asiste al conversatorio “Rituales de Extinción” Cupos limitados!
–Revista Ciudadana (2025) for Extinction Rituals

Rituales de Extinción – Arte, Territorio y Comunidad
El encuentro abordará los procesos de creación, las residencias artísticas y la articulación entre arte, ecología y memoria colectiva que dieron origen a esta Danza Ópera internacional.
-Juan Pablo Galeano, Grandes Lanzamientos (2025) for Extinction Rituals

Conversatorio: Rituales de Extinción – Arte, Territorio y Comunidad
Será un espacio de diálogo entre creadores, gestores culturales, estudiantes y público interesado en las prácticas colaborativas que unen el arte contemporáneo con los territorios y las comunidades.
-Sandra Mora, Revista La Corona (2025) for Extinction Rituals

Rituales de Extinción, Danza Ópera de Colombia para el mundo. Ambiciosa obra cultural creada por los nuestros.
Una obra grandiosa que trasciende el espectáculo escénico convirtiéndose en una experiencia dónde se entrelaza cuerpos, voces, luces, sonidos e imágenes de diferentes ecosistemas y saberes que sostienen la vida.
-Graciela Torres Sandoval, Pasa el Chisme (2025) for Extinction Rituals

Conversatorio: Rituales de Extinción – Arte, Territorio y Comunidad
El encuentro abordará los procesos de creación, las residencias artísticas y la articulación entre arte, ecología y memoria colectiva que dieron origen a esta Danza Ópera internacional. Será un espacio de diálogo entre creadores, gestores culturales, estudiantes y público interesado en las prácticas colaborativas que unen el arte contemporáneo con los territorios y las comunidades.
-Yulder Jiménez, Red de Expertos (2025) for Extinction Rituals

Bogotá verá el estreno mundial de ‘Rituales de extinción’: una danza ópera sobre la memoria
La obra toma como referencia los arrecifes de Gorgona, los manglares de Tumaco, los humedales bogotanos y las huertas urbanas, invitando a reflexionar sobre la interdependencia entre seres humanos, naturaleza y culturas que hoy se encuentran al borde de desaparecer.
-Sergio Ramírez, Infobae (2025) for Extinction Rituals

‘Rituales de extinción’, donde ópera y danza hablan de la vida
Rituales de Extinción nos conmueve y nos expande a todos. Nos invita a imaginar nuevas posibilidades de relación, a habitar los espacios intermedios donde los saberes se cruzan y se transforman. En esos encuentros surge una polinización de sensibilidades, donde la curiosidad se convierte en una forma de resistencia y de aprendizaje mutuo
-Eduardo Arias, Revista Cambio (2025) for Extinction Rituals

‘Rituales de Extinción’ en Bogotá: una Danza Ópera que conecta arte, territorio y comunidad en su estreno mundial
Una experiencia interdisciplinaria. La propuesta está concebida como una experiencia sensorial en la que se entrelazan cuerpos, voces, luces, sonidos e imágenes.
-Jos Guerrero, El Tiempo (2025) for Extinction Rituals

Yolette Yellow-Duke
Yolette is an interdisciplinary artist based in Brooklyn, NY. A lifelong New Yorker, they received their MA in Dance Performance with honors from the London Contemporary Dance School. They’ve danced with Johannes Wieland, Laja Field, Johnny Cruise Mercer, Kayla Farrish, J. Bouey, Andre Tyson, Sara Hook, Camilo Godoy, and more. Her choreography has premiered at the Edinburgh Fringe Festival, Here Arts, NDA’s Performance Mix:38, DanceNow Festival, and Movement Research. For Yolette, dance is rooted in the idea that movement is an act of healing, resistance, and self-care. Through dance, they believe we can all find moments of liberation.
Storm Stokes
Storm is a performance, choreographic, and visual artist whose transdisciplinary works combine movement, videodance, and installation to explore themes of liberation and Afrofuturism. Her work has been shown at Triskelion Arts, Cori Terry Theater, Stephan Friedman Gallery, Princeton University’s Hearst Theater, Sidewalk Festival Detroit, more. Storm has trained and performed for Shamel Pitts, Jacob Jonas the Company, Rashaun Mitchell & Silas Riener, Kyle Marshall, Chrysanthi Badeka, Turning Tables, more; and is currently a Misty Copeland Foundation BE BOLD Teaching Artist. Storm earned her B.A. and competitive ‘Toni Morrison,’ ‘Alex Adam 07,’ and ‘Badi Foster Distinguished Senior’ Awards from Princeton University (‘24).
Quashiera Muhammad
Quashiera Muhammad is a freelance dancer, model, and creator, bi-coastal in New York City and Los Angeles. She holds a B.F.A in Dance and has been awarded by the New York Foundation of the Arts, Foot Locker, The Congressional Black Caucus, and more for her academic and artistic pursuits in the field. She has held residencies and performances at Bridge for Dance, Jennifer Muller/The Works, Nimbus Arts Center, Monira Foundation based in Mana Contemporary, Mignolo Arts Center, Smush Gallery, Mark Morris Dance Center, Gibney Dance, The KNJ Theater, Ailey Citi Group Theater, The Mark O’Donnell Theater at The Entertainment Community Fund, etc.
Sammie Murray
Sammie Murray/Baby Blue (they/he) is a Brooklyn based freak, choreographer, and drag artist. A lover and an optimist, he likes to remind an audience of the experience of having a body. Performances of pain, endurance, extremity, and pleasure is where he is most deliciously curious. He has worked with AXIS Dance, Kaleid Dance, and Spark Theater Festival, to name a few, and is a cofounder and codirector of Interlude Dance, where he produces drag shows, dance concerts, and The Rocky Horror Picture Show. He makes things that are less ephemeral, too, like chainmail and cookies for his friends.
Eden Johnson
Eden (she/they) is an indigenous actor/choreographer. A recent Columbia grad, Eden rejected a life of politics in favor of the arts and is hopeful LEIMAY will give her the space she needs to catch up with her peers who have had more resources.
Eden has been choreographing since she was 7 years old and is fascinated by how movement defines character and is committed to helping dancers find truth.
As a queer and indigenous artist, she centers marginalized communities and explores stories beyond tropes. She honors those who came before and while uplifts all who follow.
Testimonial – Kanami Kusajima
“It was such a precious time we shared in a garden, honoring arts and nature and cultivating a community.”
– Kanami Kusajima, OUTSIGHT/At Home, 2025
Harkness Foundation for Dance
The Harkness Foundation for Dance is a private grant-making foundation dedicated to invigorating and supporting the dance art form, predominantly in New York City .
Fernanda Tenorio
Nacida en Tumaco, Nariño, es una destacada cantante tradicional del Pacífico colombiano, reconocida por su poderosa voz y su compromiso con la preservación y renovación de las músicas ancestrales de su región. Su arte es una expresión viva de la identidad afrocolombiana, en la que los ritmos tradicionales dialogan con sonoridades contemporáneas como el rap, el reggae y otros géneros urbanos.
Como vocalista de la agrupación Plu con Pla, Fernanda ha logrado fusionar con autenticidad la riqueza rítmica del Pacífico con nuevas estéticas musicales, llevando su mensaje de resistencia, memoria y orgullo cultural a diversos escenarios nacionales e internacionales.
Su carrera artística comenzó en la Fundación Tumac, una escuela formativa que le brindó las bases para desarrollarse como intérprete y difusora de las tradiciones musicales de su tierra. Gracias a su talento y dedicación, ha participado en importantes festivales como el Petronio Álvarez, uno de los espacios más emblemáticos para la música del Pacífico colombiano, además de presentarse en países como España, Alemania, Bolivia y en ciudades como Berlín, donde ha compartido la esencia sonora de Tumaco con el mundo.
Susan Mar Landau
LEIMAY LUDUS Lab with Dramaturge Susan Mar Landau.
Hanna Gross
SOAK 2016 Artist.
Bailey Nassetta
Performer for Managing Expectactions.
Erika Eichelberger
Creation and performance of TETRIS.
Elyssa Dole
Creation and performance of TETRIS.
Jon Pope
Camera work for II Futuro.
Simon Jermyn
Music for By the Fading Light.
Giacinto Scelsi
Music for Le Réveil Profond.
Brittany Reeber
Production Assistant for Burning as It Runs.
Blanche Jamail
Production Assistant for Burning as It Runs.
Bryce Huey Turgeon
Set Design for Burning as It Runs.
Karie Laks
Costume Design for Burning as It Runs.
Albert Behar
Music Composition for Burning as It Runs.
Chris Carlone
Choreographer for Burning as It Runs.
Amanda Katz
Photography for The Hair of Sand.
Anthony Leung
Stage Assistant for The Hair of Sand.
Alex Klimovitsky
Stage Assistant for The Hair of Sand.
Julia Nitsberg
Installation for The Hair of Sand.
Jessica Browne-White
Creator of The Graces.
Kelley Swindall
Creator of The Graces.
Virgina Logan
Creator of The Graces.
Beth Ann Hopkins
Creator of The Graces.
Tara Rook
Original music for Pillars of Salt.
Andrew Trego
Performer for Pillars of Salt.
Elisa Soliven
Sculpture “Up Down Pipe” for Control Quartz.
Niki Singleton
Projected painting “Slick Move” for Control Quartz.
Holly Mitchell
Dancer, improviser, and collaborator for Control Quartz.
Emelie Hedvall
Dancer, improviser, and collaborator for Control Quartz.
Ariane Bernier
Dancer, improviser, and collaborator for Control Quartz.
Laura Bartczak
Dancer, improviser, and collaborator for Control Quartz.
Charlotte Colmant
Box office for LEIMAY Block Party.
Naima Ramos
Box office for LEIMAY Block Party.
Joanna Stone
Box Office for LEIMAY Block Party.
Sofiya Romendik
SOAK Technical Assistant.
Denise Shumei
LEIMAY Administrative Associate for LEIMAY Block Party.
Isobel Roth
Performer for Terra in Fragments.
Natalia Krasnova
Performer for Terra in Fragments.
Derek Baron
Performance for Sand Dunes, Snowflakes, and Turbulent Vortices.
Adam Gundersheimer
Performance for Sand Dunes, Snowflakes, and Turbulent Vortices.
Paulina Espinoza
Dancer for Excerpts from In Pursuit of Happiness.
Emily Vescht
Dancer for Excerpts from In Pursuit of Happiness.
Alice Puchue
Dancer for Excerpts from In Pursuit of Happiness.
Jennifer Johanos
Costume Design for Excerpts from In Pursuit of Happiness.
Daniel Pettrow
Vocal and Acting Coach for Excerpts from In Pursuit of Happiness.
Todd Caroll
Photo projections for Excerpts from In Pursuit of Happiness.
Lauren Ohmer
Assistant Choreographer for Excerpts from In Pursuit of Happiness.
Tommy Schell
Creation and performance of Wisteria: the Gaggery and the Gilt.
Jenna Kirk
Creation and performance of Wisteria: the Gaggery and the Gilt.
Stephanie Eiss
Creation and performance of Wisteria: the Gaggery and the Gilt.
Sergio Roig
Musician for Paper Work.
Jonathan Petrow
Musician for Paper Work.
Dana Schechter
Musician for Paper Work.
Eric Eble
Musician for Paper Work.
Remi Harris
Performer for Paper Work.
Stephanie Beck
Creation and performance for Paper Work.
Dai Matsuoka
Butoh Dancer/Choreographer, LAND FES Director.
Graduated Sophia University, the Faculty of Comparative Culture.
Graduated Kuwasawa Design School.
Dai Matsuoka has been performing with Sankai Juku since 2005, and has appeared in some of their major works including Kinkan Shonen, Tobari, Unetsu and ARC.
Matsuoka is a founder and director of LAND FES since 2011, non-profit organization that has the purpose of connecting dance artists, local communities and social minorities.
He has been leading the Scramble Dance Project since 2017, in which both people with and without disabilities create dance together. This inclusive dance project initially instructed by Yoshito Ohno, a legendary figure of Butoh, has been continued by Dai Matsuoka and his organization LAND FES until now and presented its works in several opportunities such as Korea International Accessible Dance Festival 2023 in Seoul, South Korea.
He also runs BUTOH CHOREO LAB, an online platform with video lessons by high-profile Butoh dancers.
At Osaka Kansai EXPO 2025, Matsuoka co-choreographed the integrated dance piece “UNUM” with Adriaan Luteijn of INTRODANS(Netherlands).
He has collaborated globally with artists such as Phantom Limb Company(USA) for “Falling Out”, with Paola Prestini(USA) for “Houses of Zodiac”.
In 2021, curator of “Tokyo Real Underground”, the Tokyo Tokyo FESTIVAL Special13 program.
Life Kinetik® certified trainer.
Kira Alker
Creation and performance of A Solo for Two.
Giovanni Battista
Music for The Perilous Chapel.
Vladimir Cosma
Music for The Perilous Chapel.
Angeli
Creation and performance of Homage to Yoko Ono.
David Fishel
Projections for Garden Box.
Molly Joyce
Music for Garden Box.
Raelene Eckert
Conception and performance for Garden Box.
Colin Self
Choreography and music for KID.
Lisa Granuzza Di Vita
Box office for an actual dance.
Michelle Cahn
SOAK Technical Assistant.
Stefan Martin
SOAK Technical Assistant.
Rebecca Wender
Performer for an actual dance.
Julia Kulakova
Julia Kulakova is a performing and teaching artist, choreographer, and artistic director of Bahar
Dance Ensemble and NY Persian Parade. Her varied dance and martial arts expertise, and
improvisational skills led to collaborations with such bands as the NY Gypsy All Stars, Romashka, Frank
London’s Klezmer Orchestra, and Mehrnam Rastegari’s Chogan, among others.
Lynn Wright
Original score for I Would.
Kira Flores
Keyboard and voice for Impossible Crush: It’s Elf Itself.
Stelios Mihas
Original music for What is home for a wanderlust?
Taylor Jones
Choreography and Performance for CIS BOOM BLAH.
Emily LaRochelle
Choreography and Performance for And Now This.
Nava Dunkelman
Nava Dunkelman is a percussionist and improviser based in Brooklyn, NY. Her musical approach is innovative and dynamic, combining virtuosity and intuition. Meticulous in an intrinsic way, she uses her distinctive sound pallet to explore and give life to a vast spectrum of musical possibilities. Nava’s current projects are electro-percussion experimental noise duo IMA with Amma Ateria and percussion duo NOMON with her sister Shayna Dunkelman.
navadunkelman.com” @nldunk
Yoko Murakami
Yoko Murakami is a Tokyo-born, NYC-based movement artist. She creates movement-based work in forms of site-specific installations and experimental film. Finding the surreal in the mundane, she is constantly exploring ways to blur the boundaries of creative mediums and has worked closely with artists in the fields in audio-visual, film, set design, sculpture, millinery, hair art, and motion-capture technology. She is a contributing artist of Testu Collective since 2018. Yokoteki.com @yokoteki
Alia Scheirman
Alia Scheirman is a NYC-based violinist and teacher. She studied music at Augsburg College in Minneapolis. Performances in NYC have included ‘Persou’ at the Cell Theater, Dance in Bushwick, and Queer Urban Orchestra concerts. Alia is currently a member of Litha Symphony Orchestra.
Wendy Eisenberg
Wendy Eisenberg is an improvising guitarist, banjo-player, vocalist, songwriter, and composer. Along with performing in rock bands such as Editrix and Birthing Hips, Eisenberg works solo as a songwriter and an improviser equally. Wendy released the songs albums Dehiscence (2020) and Auto in 2020 to acclaim in such legacy publications as the Wire and the Washington Post. They are also an active writer.
Taylor Zappone
Performance for My Body as the Topic Coming Around Again // Vol 1 (Land).
Ellen Smith Ahern
Performance for My Body as the Topic Coming Around Again // Vol 1 (Land).
Joy Havens
Costumes for My Body as the Topic Coming Around Again // Vol 1 (Land).