Miho Ryu is a New York based dancer, choreographer, teaching artist, originally from Tokyo, Japan. She has created and performed over 100 works across Asia, Europe, and the United States. Since returning to New York in 2024, her work has been presented at The 92nd Street Y, Peridance Presents, WestFest, Dixon Place, Arts On Site, Chez Bushwick, BAX, and international festivals including Asia Tri Jogja in Indonesia. She is a faculty member at Peridance Center, Ballet Hispánico School, and Steps on Broadway. Currently undergoing breast cancer treatment, she continues to expand her artistic practice through performance, choreography, and curatorial work.
alyxåndra ciale
alyxåndra ciale (they/them) is a Trans-Indigenous CHamoru yan Pinoy cultural worker residing within Lenapehoking, between New York City and Upstate Millerton. Since graduating from the University of Michigan’s BFA Acting Conservatory in 2021, they have been reinvigorating their arts practice through popular education, political organizing, and indie production working as a freelance choreopoet, performer, and somatic facilitator. Their original performance work has shown at SoMad, Brick Theater, Soho Playhouse, Wax Works at Triskelion, TV EYE, Red Pavillion, and Cave in Williamsburg. As a lifelong student, cia has been formally trained in Fitzmaurice and Stage Combat (Unarmed, Rapier, Sword, & Dagger) and has extensive experience with Alexander Technique, Ludus, Yorchhā, and Qi Gong.
At the crossfires of beauty, absurdity, and sensuality, I work in deep time and sovereign space; through dream and scheme; and always with inter-revolutionary intent: No Such Thing as Final Form.
sweat variant
sweat variant is the collaborative practice of Okwui Okpokwasili and Peter Born. Since 1996, they have been working at the intersection of dance, theater, and visual art to make challenging and rigorous work that reaffirms that which has been deemed marginal as the true center through the exploration of Black interiority. Okpokwasili and Born are interested in building a spectacle of radical intimacy, in which both performers and audience are acknowledged as being locked in a mutual gaze. They hope to activate a space that allows the audience to question who they are looking at, and how they are looking.
Okpokwasili and Born have created the Bessie Award-winning pent up: a revenge dance and Bronx Gothic. The latter continues to tour internationally, most recently to the 2024 Milan Triennale. Other performances include let slip, hold sway, adaku, part : the road opens, Adaku’s Revolt, swallow the moon, Sitting on a Man’s Head, and poor people’s tv room, which also toured the US. Their work has been featured internationally, including at the Berlin Biennale, the Young Vic, and the Tate. Recent works include installations in the exhibitions Grief and Grievance, Art and Mourning in America at the New Museum (NYC), Witchhunt at the Hammer Museum in Los Angeles, and Sex Ecologies at Kunsthall Trondheim in Norway, poor people’s TV room (solo) installation is in the Hammer Museum and Whitney Museum collections.
For more information about sweat variant / Okwui Okpokwasili and Peter Born, visit www.sweatvariant.com
Photo by Mario Sorrenti / Art Partner
SERAFINE1369
SERAFINE1369 is a London born and based artist, dancer, and body-focused researcher working with dance as a philosophical undertaking, a political project with ethical psycho-spiritual ramifications for being in the world; dancing as intimate technology. They work with/in the context of the hostile architectures of the metropolis toward moments and states of transcendence. Dancing is a work of cycles and fragmentary returns that speaks to energy work, divination, meditative, and devotional practices.
SERAFINE1369 is busy with propositions and practices—of dancing, spatial arrangement, sonics and modes of receiving—that counter the tendency toward bodily compression, inflammation, and alienation. Their practice is concerned with the integrity and efficacy of structures (bodily and social), collaboration, hosting, and an interest in somatics, semiotics, and symbiotics from a body-led, experiential position. Their work prioritizes listening and is responsive to the specificities of context, using movement as a tool for flattening hierarchies of perception between visible and invisible (felt/sensed/remembered) presences. Their work with others is concerned with opening up embodied channels of connection and flow, practices to access and utilize body/sensing/emotion as oracular resource, locating desire, and refining and understanding positionality.
Photo by Camilla Greenwell
Testimonial – Anonymous
Es mi primera vez viendo la obra de LEIMAY, y pues me sobrepasó. Las imágenes que tenía, de los comentarios que me hacían. Pude ver la sutileza, el movimiento muy natural desarrollándose y elevando cada vez más la energía. Pude ver cómo había una musicalidad en el movimiento, los sonidos, sudé con ellos, me tensé el cuerpo con ellos. O sea que bailé, bailé internamente. Gracias.
This is my first time experiencing LEIMAY’s work, and I was overwhelmed. The expectations I had from the comments people made to me were completely surpassed. I could see the subtlety, the very natural movement unfolding and elevating the energy more and more. I could see how there was a musicality in the movement, the sounds—I sweated with them, my body tensed with them. In other words, I danced, I danced internally. Thank you
[original testimonial in Spanish]
yuniya edi kwon
yuniya edi kwon is a violinist, vocalist, and interdisciplinary performance maker based in Lenapehoking, or New York City. Her practice connects composition, improvisation, movement, and ceremony to explore transformation & transgression, ritual practice as a tool to queer ancestral lineage, and the use of mythology to connect, obscure, and reveal.
As a composer-performer and improviser, she is inspired by Korean folk timbres & inflections, textures & movement from natural environments, and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints, connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual.
She is a 2025 Guggenheim Fellow in Music Composition, 2025 Creative Capital Awardee, 2023-25 Arts Fellow at Princeton University, 2025 Nina von Maltzahn Fellow at The Watermill Center, 2024 Civitella Ranieri Fellow, 2024 Bessie Award Winner for Outstanding Sound Design/Music Composition, 2023 Foundation for Contemporary Arts Robert Rauschenberg Awardee in Music/Sound, 2016 United States Artists Ford Fellow, Van Lier Fellow & Resident Artist at Roulette Intermedium, Johnson Fellow at Americans for the Arts, Andrew W. Mellon Artist-in-Residence at the Colorado Springs Fine Arts Center at Colorado College, Hermitage Fellow, and a recipient of the National Performance Network Creation Fund Award. Her work has been presented by Dia Art Foundation, Performa Biennial, New York Live Arts, Under The Radar Festival, National Sawdust, Roulette Intermedium, On The Boards, Asia Society, Poetry Project, Harlem Stage, Foundation for Contemporary Arts, Civitella Ranieri Foundation, Monheim Triennale, and others.
photo by Lindsay Morris / costume by Bonan Li
Wilmer Guzmán
Músico colombiano nacido en Cartagena, con más de 25 años de experiencia en la interpretación de instrumentos de percusión, especializado en música tradicional colombiana. Ha sido percusionista en destacadas agrupaciones como Ale Kuma, La Mojarra Eléctrica, María Mulata, Martina Camargo, Tribu Baharú, Profetas y Martini Blues Band. Actualmente, dirige el grupo de Percusión Folclórica y Tamboras de la Universidad Pedagógica Nacional, así como otras bandas reconocidas, como Toto La Momposina y la Orquesta de Lucho Bermúdez, con las que ha realizado giras nacionales e internacionales.
Colombian musician born in Cartagena, with more than 25 years of experience playing percussion instruments, specializing in traditional Colombian music. He has been a percussionist in prominent groups such as Ale Kuma, La Mojarra Eléctrica, María Mulata, Martina Camargo, Tribu Baharú, Profetas, and Martini Blues Band. He currently directs the Percusión Folclórica y Tamboras group at the National Pedagogical University, as well as other renowned bands such as Toto La Momposina and the Lucho Bermúdez Orchestra, with which he has toured nationally and internationally.
Arte, territorio y memoria: Conversatorio “Rituales de Extinción” desvela la fusión creativa en el Delia Zapata Olivella
En Revista Ciudadana celebramos la articulación entre el arte y el territorio. Asiste al conversatorio “Rituales de Extinción” Cupos limitados!
–Revista Ciudadana (2025) for Extinction Rituals

Rituales de Extinción – Arte, Territorio y Comunidad
El encuentro abordará los procesos de creación, las residencias artísticas y la articulación entre arte, ecología y memoria colectiva que dieron origen a esta Danza Ópera internacional.
-Juan Pablo Galeano, Grandes Lanzamientos (2025) for Extinction Rituals

Conversatorio: Rituales de Extinción – Arte, Territorio y Comunidad
Será un espacio de diálogo entre creadores, gestores culturales, estudiantes y público interesado en las prácticas colaborativas que unen el arte contemporáneo con los territorios y las comunidades.
-Sandra Mora, Revista La Corona (2025) for Extinction Rituals

Rituales de Extinción, Danza Ópera de Colombia para el mundo. Ambiciosa obra cultural creada por los nuestros.
Una obra grandiosa que trasciende el espectáculo escénico convirtiéndose en una experiencia dónde se entrelaza cuerpos, voces, luces, sonidos e imágenes de diferentes ecosistemas y saberes que sostienen la vida.
-Graciela Torres Sandoval, Pasa el Chisme (2025) for Extinction Rituals

Conversatorio: Rituales de Extinción – Arte, Territorio y Comunidad
El encuentro abordará los procesos de creación, las residencias artísticas y la articulación entre arte, ecología y memoria colectiva que dieron origen a esta Danza Ópera internacional. Será un espacio de diálogo entre creadores, gestores culturales, estudiantes y público interesado en las prácticas colaborativas que unen el arte contemporáneo con los territorios y las comunidades.
-Yulder Jiménez, Red de Expertos (2025) for Extinction Rituals

Bogotá verá el estreno mundial de ‘Rituales de extinción’: una danza ópera sobre la memoria
La obra toma como referencia los arrecifes de Gorgona, los manglares de Tumaco, los humedales bogotanos y las huertas urbanas, invitando a reflexionar sobre la interdependencia entre seres humanos, naturaleza y culturas que hoy se encuentran al borde de desaparecer.
-Sergio Ramírez, Infobae (2025) for Extinction Rituals

‘Rituales de extinción’, donde ópera y danza hablan de la vida
Rituales de Extinción nos conmueve y nos expande a todos. Nos invita a imaginar nuevas posibilidades de relación, a habitar los espacios intermedios donde los saberes se cruzan y se transforman. En esos encuentros surge una polinización de sensibilidades, donde la curiosidad se convierte en una forma de resistencia y de aprendizaje mutuo
-Eduardo Arias, Revista Cambio (2025) for Extinction Rituals

‘Rituales de Extinción’ en Bogotá: una Danza Ópera que conecta arte, territorio y comunidad en su estreno mundial
Una experiencia interdisciplinaria. La propuesta está concebida como una experiencia sensorial en la que se entrelazan cuerpos, voces, luces, sonidos e imágenes.
-Jos Guerrero, El Tiempo (2025) for Extinction Rituals

Yolette Yellow-Duke
Yolette is an interdisciplinary artist based in Brooklyn, NY. A lifelong New Yorker, they received their MA in Dance Performance with honors from the London Contemporary Dance School. They’ve danced with Johannes Wieland, Laja Field, Johnny Cruise Mercer, Kayla Farrish, J. Bouey, Andre Tyson, Sara Hook, Camilo Godoy, and more. Her choreography has premiered at the Edinburgh Fringe Festival, Here Arts, NDA’s Performance Mix:38, DanceNow Festival, and Movement Research. For Yolette, dance is rooted in the idea that movement is an act of healing, resistance, and self-care. Through dance, they believe we can all find moments of liberation.
Storm Stokes
Storm is a performance, choreographic, and visual artist whose transdisciplinary works combine movement, videodance, and installation to explore themes of liberation and Afrofuturism. Her work has been shown at Triskelion Arts, Cori Terry Theater, Stephan Friedman Gallery, Princeton University’s Hearst Theater, Sidewalk Festival Detroit, more. Storm has trained and performed for Shamel Pitts, Jacob Jonas the Company, Rashaun Mitchell & Silas Riener, Kyle Marshall, Chrysanthi Badeka, Turning Tables, more; and is currently a Misty Copeland Foundation BE BOLD Teaching Artist. Storm earned her B.A. and competitive ‘Toni Morrison,’ ‘Alex Adam 07,’ and ‘Badi Foster Distinguished Senior’ Awards from Princeton University (‘24).
Quashiera Muhammad
Quashiera Muhammad is a freelance dancer, model, and creator, bi-coastal in New York City and Los Angeles. She holds a B.F.A in Dance and has been awarded by the New York Foundation of the Arts, Foot Locker, The Congressional Black Caucus, and more for her academic and artistic pursuits in the field. She has held residencies and performances at Bridge for Dance, Jennifer Muller/The Works, Nimbus Arts Center, Monira Foundation based in Mana Contemporary, Mignolo Arts Center, Smush Gallery, Mark Morris Dance Center, Gibney Dance, The KNJ Theater, Ailey Citi Group Theater, The Mark O’Donnell Theater at The Entertainment Community Fund, etc.
Sammie Murray
Sammie Murray/Baby Blue (they/he) is a Brooklyn based freak, choreographer, and drag artist. A lover and an optimist, he likes to remind an audience of the experience of having a body. Performances of pain, endurance, extremity, and pleasure is where he is most deliciously curious. He has worked with AXIS Dance, Kaleid Dance, and Spark Theater Festival, to name a few, and is a cofounder and codirector of Interlude Dance, where he produces drag shows, dance concerts, and The Rocky Horror Picture Show. He makes things that are less ephemeral, too, like chainmail and cookies for his friends.
Eden Johnson
Eden (she/they) is an indigenous actor/choreographer. A recent Columbia grad, Eden rejected a life of politics in favor of the arts and is hopeful LEIMAY will give her the space she needs to catch up with her peers who have had more resources.
Eden has been choreographing since she was 7 years old and is fascinated by how movement defines character and is committed to helping dancers find truth.
As a queer and indigenous artist, she centers marginalized communities and explores stories beyond tropes. She honors those who came before and while uplifts all who follow.
Testimonial – Kanami Kusajima
“It was such a precious time we shared in a garden, honoring arts and nature and cultivating a community.”
– Kanami Kusajima, OUTSIGHT/At Home, 2025
Harkness Foundation for Dance
The Harkness Foundation for Dance is a private grant-making foundation dedicated to invigorating and supporting the dance art form, predominantly in New York City .
Fernanda Tenorio
Nacida en Tumaco, Nariño, es una destacada cantante tradicional del Pacífico colombiano, reconocida por su poderosa voz y su compromiso con la preservación y renovación de las músicas ancestrales de su región. Su arte es una expresión viva de la identidad afrocolombiana, en la que los ritmos tradicionales dialogan con sonoridades contemporáneas como el rap, el reggae y otros géneros urbanos.
Como vocalista de la agrupación Plu con Pla, Fernanda ha logrado fusionar con autenticidad la riqueza rítmica del Pacífico con nuevas estéticas musicales, llevando su mensaje de resistencia, memoria y orgullo cultural a diversos escenarios nacionales e internacionales.
Su carrera artística comenzó en la Fundación Tumac, una escuela formativa que le brindó las bases para desarrollarse como intérprete y difusora de las tradiciones musicales de su tierra. Gracias a su talento y dedicación, ha participado en importantes festivales como el Petronio Álvarez, uno de los espacios más emblemáticos para la música del Pacífico colombiano, además de presentarse en países como España, Alemania, Bolivia y en ciudades como Berlín, donde ha compartido la esencia sonora de Tumaco con el mundo.
Susan Mar Landau
LEIMAY LUDUS Lab with Dramaturge Susan Mar Landau.
Hanna Gross
SOAK 2016 Artist.
Bailey Nassetta
Performer for Managing Expectactions.
Erika Eichelberger
Creation and performance of TETRIS.
Elyssa Dole
Creation and performance of TETRIS.
Jon Pope
Camera work for II Futuro.
Simon Jermyn
Music for By the Fading Light.
Giacinto Scelsi
Music for Le Réveil Profond.
Brittany Reeber
Production Assistant for Burning as It Runs.
Blanche Jamail
Production Assistant for Burning as It Runs.
Bryce Huey Turgeon
Set Design for Burning as It Runs.
Karie Laks
Costume Design for Burning as It Runs.
Albert Behar
Music Composition for Burning as It Runs.
Chris Carlone
Choreographer for Burning as It Runs.
Amanda Katz
Photography for The Hair of Sand.
Anthony Leung
Stage Assistant for The Hair of Sand.
Alex Klimovitsky
Stage Assistant for The Hair of Sand.
Julia Nitsberg
Installation for The Hair of Sand.
Jessica Browne-White
Creator of The Graces.
Kelley Swindall
Creator of The Graces.
Virgina Logan
Creator of The Graces.
Beth Ann Hopkins
Creator of The Graces.
Tara Rook
Original music for Pillars of Salt.
Andrew Trego
Performer for Pillars of Salt.
Elisa Soliven
Sculpture “Up Down Pipe” for Control Quartz.
Niki Singleton
Projected painting “Slick Move” for Control Quartz.
Holly Mitchell
Dancer, improviser, and collaborator for Control Quartz.
Emelie Hedvall
Dancer, improviser, and collaborator for Control Quartz.
Ariane Bernier
Dancer, improviser, and collaborator for Control Quartz.
Laura Bartczak
Dancer, improviser, and collaborator for Control Quartz.
Charlotte Colmant
Box office for LEIMAY Block Party.
Naima Ramos
Box office for LEIMAY Block Party.
Joanna Stone
Box Office for LEIMAY Block Party.
Sofiya Romendik
SOAK Technical Assistant.
Denise Shumei
LEIMAY Administrative Associate for LEIMAY Block Party.
Isobel Roth
Performer for Terra in Fragments.
Natalia Krasnova
Performer for Terra in Fragments.
Derek Baron
Performance for Sand Dunes, Snowflakes, and Turbulent Vortices.
Adam Gundersheimer
Performance for Sand Dunes, Snowflakes, and Turbulent Vortices.
Paulina Espinoza
Dancer for Excerpts from In Pursuit of Happiness.
Emily Vescht
Dancer for Excerpts from In Pursuit of Happiness.
Alice Puchue
Dancer for Excerpts from In Pursuit of Happiness.
Jennifer Johanos
Costume Design for Excerpts from In Pursuit of Happiness.
Daniel Pettrow
Vocal and Acting Coach for Excerpts from In Pursuit of Happiness.
Todd Caroll
Photo projections for Excerpts from In Pursuit of Happiness.
Lauren Ohmer
Assistant Choreographer for Excerpts from In Pursuit of Happiness.
Tommy Schell
Creation and performance of Wisteria: the Gaggery and the Gilt.
Jenna Kirk
Creation and performance of Wisteria: the Gaggery and the Gilt.
Stephanie Eiss
Creation and performance of Wisteria: the Gaggery and the Gilt.
Sergio Roig
Musician for Paper Work.
Jonathan Petrow
Musician for Paper Work.
Dana Schechter
Musician for Paper Work.
Eric Eble
Musician for Paper Work.
Remi Harris
Performer for Paper Work.
Stephanie Beck
Creation and performance for Paper Work.
Dai Matsuoka
Butoh Dancer/Choreographer, LAND FES Director.
Graduated Sophia University, the Faculty of Comparative Culture.
Graduated Kuwasawa Design School.
Dai Matsuoka has been performing with Sankai Juku since 2005, and has appeared in some of their major works including Kinkan Shonen, Tobari, Unetsu and ARC.
Matsuoka is a founder and director of LAND FES since 2011, non-profit organization that has the purpose of connecting dance artists, local communities and social minorities.
He has been leading the Scramble Dance Project since 2017, in which both people with and without disabilities create dance together. This inclusive dance project initially instructed by Yoshito Ohno, a legendary figure of Butoh, has been continued by Dai Matsuoka and his organization LAND FES until now and presented its works in several opportunities such as Korea International Accessible Dance Festival 2023 in Seoul, South Korea.
He also runs BUTOH CHOREO LAB, an online platform with video lessons by high-profile Butoh dancers.
At Osaka Kansai EXPO 2025, Matsuoka co-choreographed the integrated dance piece “UNUM” with Adriaan Luteijn of INTRODANS(Netherlands).
He has collaborated globally with artists such as Phantom Limb Company(USA) for “Falling Out”, with Paola Prestini(USA) for “Houses of Zodiac”.
In 2021, curator of “Tokyo Real Underground”, the Tokyo Tokyo FESTIVAL Special13 program.
Life Kinetik® certified trainer.
Kira Alker
Creation and performance of A Solo for Two.
Giovanni Battista
Music for The Perilous Chapel.
Vladimir Cosma
Music for The Perilous Chapel.
Angeli
Creation and performance of Homage to Yoko Ono.
David Fishel
Projections for Garden Box.
Molly Joyce
Music for Garden Box.
Raelene Eckert
Conception and performance for Garden Box.
Colin Self
Choreography and music for KID.
Lisa Granuzza Di Vita
Box office for an actual dance.
Michelle Cahn
SOAK Technical Assistant.
Stefan Martin
SOAK Technical Assistant.
Rebecca Wender
Performer for an actual dance.
Julia Kulakova
Julia Kulakova is a performing and teaching artist, choreographer, and artistic director of Bahar
Dance Ensemble and NY Persian Parade. Her varied dance and martial arts expertise, and
improvisational skills led to collaborations with such bands as the NY Gypsy All Stars, Romashka, Frank
London’s Klezmer Orchestra, and Mehrnam Rastegari’s Chogan, among others.
Lynn Wright
Original score for I Would.
Kira Flores
Keyboard and voice for Impossible Crush: It’s Elf Itself.
Stelios Mihas
Original music for What is home for a wanderlust?
Taylor Jones
Choreography and Performance for CIS BOOM BLAH.