Exh: 2006/03

10

March 3 – April 6, 2006

10 Year Celebration

The Things We Step On – religion –

by Shige Moriya

Additional Works by

Andrea Cote, Naoki Iwakawa, Shiho Kondo, Hiromi Iuchi, Drew Ford

Performances

Set 1, Naoki Iwakawa – action painting
Set 2, Andrea Cote – performance
Set 3, Hiromi Iuchi – performance
Set 4, Shige Moriya, Ximena Garnica, Jeremy Slater

March 3 – March 5
Body Weather Workshop with Frank Van de Ven

March 11
After Hours – Performance
Jeremy Slater – music
Guest performers – action
Shige Moriya – live video manipulation Direction – Ximena Garnica

March 12
Performance
Grundik Kasyansky – live electronics

Installation by Yoko Nishinarita

Links

 

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2006/03

10

March 3 – April 6, 2006

10 Year Celebration

The Things We Step On – religion –

by Shige Moriya

Additional Works by

Andrea Cote, Naoki Iwakawa, Shiho Kondo, Hiromi Iuchi, Drew Ford

Performances

Set 1, Naoki Iwakawa – action painting
Set 2, Andrea Cote – performance
Set 3, Hiromi Iuchi – performance
Set 4, Shige Moriya, Ximena Garnica, Jeremy Slater

March 3 – March 5
Body Weather Workshop with Frank Van de Ven

March 11
After Hours – Performance
Jeremy Slater – music
Guest performers – action
Shige Moriya – live video manipulation Direction – Ximena Garnica

March 12
Performance
Grundik Kasyansky – live electronics

Installation by Yoko Nishinarita

Links

 

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2005/11

TOTAL ECLIPSE

November 19 – December 18, 2005
Total Eclipse 2005
Paintings and installation by Naoki Iwakawa

Additional Works

Studio S:
Follow Your Heart
Collaborative installation by Drew Ford & Yeon Jin Cho

Studio N:
Untitled
Painting by S.Q. Yoko

Corridor:
Pipe Painting
Paintings by Eva Ullrich

Far Corridor:
“Rasen” -draw into swirl-
Mixed media installation by Shiho Kondo

Studio Y:
Fake Beauty
Multidimensional painting by YOYOYOGASMANA

Studio H:
Lostlosslosslost
Mixed-media installation by Hiromi Iuchi

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2005/09

ONE NATION UNDER GOD

September 10 – October 2, 2005
One Nation Under God
Photography and installation by Marita Contreras

Opening night performances

Set 1
Marita Contreras – video

Set 2
Naoki Iwakawa – action painting
Christine Coleman – dance

Additional Works

Studio S:
Untitled
Paintings by Kaname Moriya

Studio N:
Total Eclipse 2005
Paintings and installation by Naoki Iwakawa

Studio:
Appropriated Dream
Spatial painting installation by Vanya Polunin

Corridor:
One Dollar
Sculpture by Ted Stanke

Studio K:
Tsubomi
Mixed-media installation by Shiho

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2005/06

EMPTINESS

June 4 – July 3, 2005
Emptiness
Sculpture installation by Watanabe Tadashi

Opening night performances

Set 1
Naoki Iwakawa – action patining

Set 2
Ximena Garnica – body

Additional Works

Studio S:
Buoyancy
Installation by Anne Arden McDonald

Studio N:
Rinkaku
Ambient painting by Naoki Iwakawa

Studio VN:
New York is inside Rodney’s house
Installation by Ly Hoang Ly

Corridor:
Untitled
by Mar Aige

Studio K:
Hydrangea in white sky
Mixed-media installation by Shiho

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2005/03

REVIVAL

March 5 – April 3, 2005
Revival
Sculpture installation by Keith Renner
Curated by Atsumi Fujita

Opening night performances

Set 1
Naoki Iwakawa – action patining
Shige Moriya – action video
Grundik + Slava – sound

Set 2
Ximena Garnica – body

Set 3
Fumihiro Masuzaki – action painting
Ben Armstrong – music

Additional Works

Studio S:
Untitled
Works on paper by Fumihiro Masuzaki

Studio N:
Phenomenn (Slow Movement 2)
Painting by Naoki Iwakawa

Studio VN:
Black & White
Installation by Pham Ngoc Duong

Corridor:
Sutras
Mixed-media installation by Shiho

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2004/12

FLOATING POINT - FOREST

December 4 – December 26, 2004
Floating Point – Forest
Video Installation by Shige Moriya
Sound Installation by Grundick + Slava

Opening night performance

Floating Point
by Ximena Garnica & Juan Merchan

Additional Works

Studio S:

Falling Off the Earth
Installation-Performance by Timothy Pickerill

Studio N:
Like Dream
Paintings by Naoki Iwakawa
Music for opening by Ben Armstrong

Studio VN:
A Dream In My Day
Installation of paintings by Nguyen Thi Chau Giang

Studio SK:
Unconscious Confusion
Mixed-media by Shiho

Corridor:
Media Mixed
Paintings by Helen Mitchell

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2004/09

SLOW MOVEMENT

September 11 – October 3, 2004
Slow Movement
Paintings by Naoki Iwakawa
Music by Tim Wright

Additional Works

Studio S:
Lament
Video by Kent Anderson Butler

Studio N:
Peace Attack
Installation & Video by Naoki Iwakawa & Shige Moriya

Studio VT:
Newspapers Have No Meaning
Sculptures by Dinh Cong Dat

Corridor:
Theory of Games and Economic Behavior
Mix-Media by JP Marin

Studio X:
Within Petals
Video-Installation by Ximena Garnica & Shige Moriya

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2004/06

SLEEP

June 5- June 27, 2004
Sleep
Mosaics by Afruz Amighi

Additional Works

Studio S:
Thomas Wolski
Self-portraits by Thomas Billings

Studio N:
Phenomenon/Espoir
Paintings by Naoki Iwakawa
Sound by Nao Sakamoto
Video screening by Tomo Miyazawa

Studio NS:
untitled
Paintings by Nori Suhara
Sound by Sabir Mateen

Studio X:
Una Luz
Installation by Ximena Garnica
Video by Shige Moriya

Corridor:
Photography by Seiji Nakame

LINKS


>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2004/01

TRUTH AND BEAUTY

January 17 – January 31, 2004
Truth and Beauty
A retrospective by Naoki Iwakawa

@ CAVE’s onetime annex: 65 grand St.

Sound Installation by Grundik + Slava

Music performance by Tatsuya Nakatani

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/12

IN ILLO TEMPORE

December 6 – December 28, 2003
In Illo Tempore
Installation by CAVEnsemble

Concept & Direction by Juan Merchan
Assistant Director, Ximena Garnica
Painter, Naoki Iwakawa
Videographer, Catalina Santamaria
Photographer, Jonas Hidalgo
Sound Organizer, Nao Sakamoto
Costume Designer, Catherine Iwakawa
Lighting Designer, Timothy Pickerill

Dancers: Irem Calicusu, Tanya Calamoneri, Ximena Garnica, Erin Kelly, Taylor Kuffner, Juan Merchan, Kristin Narcowich, John Shneider

Additional Works

Studio S:
Consciousness
Scultures by Hisayasu Takashio

Studio K:
Coney Island 2003
Photograph by Minoru Kaburag

Studio N:
Madvine Eclipse
Installation by Nicole Pillar & Naoki Iwakawa

Studio D:
Doro-Doro Art Paradise
(Art Garage Project #0)
by Daisuke, Mush, Kyoko, Toshiya, You, Darius, Shin, Ken, Yuna, Hiromi, Nobu…

Corridor:
Me myself and I
by Facundo Newbery & Lia Zuvilivia

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/10

COMFORT FROM INHERENT LIES

October 25 – November 23, 2003
Comfort From Inherent Lies
Installation by Michael Krynski

Additional Works

Corridor:
Journal: Photographs from the Second Intifada
Photography by Elizabeth Linden

Studio S:
Enagy of the Space
Installation by Andrzej Mamak

Studio D:
Sub-culture
Photography by Makoto Take
Paintings by Daisuke Nishimura

Studio N:
Phenomenon
Installation by Naoki Iwakawa

Studio K:
works organized by Ken Ikeda
Flower
paintings by Isao Hayashi

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/09

PHAGOCYTOSIS

September 6- October 5, 2003
Phagocytosys
Paintings by Daisuke Nishimura

Additional Works

Corridor:
Viaje Mejicano
Mixed media by Mar Aige

Studio S:
The TIBU and the Sweet Music
A reconstruction of the Trans Industrial shelter TIBU No. 2 By Peter Kastner
Soundtrack by Takashi Sasaki & Yukinobu Mogaki

Studio D:
Untitled
paintings by Nishimsky

Studio N:
Pigeon Game
Installation by Naoki Iwakawa
Video projection by Jean-Paul Marin
Music by Arion

Studio K:
works organized by Ken Ikeda
Meditation
paintings by Hiromi Iuchi

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/06

PAINTING IN THE MOMENT

June 7 – July 6, 2003
Painting In The Moment
Installation by Naoki Iwakawa

Performances for Opening Night

Rhinoceros
Action painting by Naoki Iwakawa
Music by Tim Wright

Additional Works

Corridor:
New York
photo by Esther Levine

Studio S:
Point of Life
drawing by Fumihiro Matsuzaki

Studio D:
Chindal
painting by Nishimsky
Untitled
photo by Taro

Studio N:
Unpainting
Installation by Naoki Iwakawa

Studio K:
works organized by Ken Ikeda
Everyone is alone in The Garden of Eden
installation by Jordan Eagles

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/04

INTELLECTUAL ECONOMY

April 26 – May 25, 2003
Intellectual Economy
Video installation by Robert Ladislas Derr

Additional Works

Studio S:
Broken Circus
drawings by Mary Doyle

Studio N:
Untitled
paintings by Naoki Iwakawa
slides projection by Jean-Paul Marin sound organized by Nao Sakamoto

Studio D:
Cornucopia
Paintings by Daisuke Nishimura

Studio K:
Works organized by Ken Ikeda:
58%
Mixed media & sound installation by Mark Skwarek

Corridor:
Under the Skin
Paintings by Espartaco Albornoz – Nozco

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/03

FOODS OF GROUND

March 14 – April 13, 2003
Foods of Ground
Installation by Tran Luong

Additional Works

Studio S:
Prayerclosets
Mixed media by Lynn Marie

Studio N:
Untitled
Paintings by Naoki Iwakawa

Studio D:
Canonical
Paintings by Daisuke Nishimura

Studio K:
Inu-Dojo
Photography by Kikuko Usuyama

Corridor:
blues in a
Paintings by Anwar Montasir

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2003/02

RESURRECTION CEMETERY LIFE & DEATH IN EAST LA

February 1 – March 2, 2003
Resurrection Cemetery Life & Death in East LA
paintings by Robert Taub

Additional Works

Studio S:
SIR-COUGH-A-LOT
Installation by Matt Bua

Studio N:
altar
Paintings by Naoki Iwakawa

Studio D:
Cement
Paintings by Daisuke Nishimura
Music by Doro

Corridor:
Fild of Memory 2002

Installation by Yoko Nishinarita

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2002/10

MANIFEST

October 19 – November 17, 2002
MANIFEST
new works by Kevin Auzenne

Additional Works

Studio S:
distortion
Slides projection by jean-paul Marin

Studio N:
phenomenon
Paintings by Naoki Iwakawa

Studio D:
boredom society
Paintings by Daisuke Nishimura Visual by Tatsuya Naoe
Hair by Kyoko Oshima
Music by Doro

Corridor:
artcoup
Paintings by Boogie

Links

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2002/09

BEYOND THE IMPETUS

September 7 – October 6, 2002
Beyond the Impetus
Action Photography and Experimental Video by Terrence Kelleman
Collaboration with Masahiro Manabe

Additional Works

Studio S:
inner shapes
Paintings by Michael Peck

Studio N:
phenomenon
Paintings by Naoki Iwakawa

Studio D:
Commonera
Paintings by Daisuke Nishimura
Music by Doro

Corridor:
hand for:song:2
Paintings by Fletcher Ohmart

Links


>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.
 

Exh: 2002/06

LANDSCAPE

June 29 – July 28, 2002
Landscape
Sculptural Installation by Hisayasu Takashio

Additional Works

Studio S:
Pray
Photography by Mary Minieka

Studio N:
Truth
Paintings by Naoki Iwakawa

Studio D:
Cast-Off Skin
Paintings by Daisuke Nishimura
Flower by Makiko Taniuchi
Photography by Atsushi Takeshita
Music by Doro

Corridor:
Paintings by Daniel Pendino

Air:
Sound Installation by Kenta Nagai

Links

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2002/05

BEAUTIFUL THING

May 18 – June 16, 2002
Beautiful Thing
Sculpture work by Villu Jaanisoo

Additional Works

Studio S:
The Beautiful Room
Photography by Nellie X

Studio N:
Truth
Paintings by Naoki Iwakawa
Music by Tim Wright

Corridor:
Installation by Nori

Air:
Sound Installation by Kenta Nagai

Links


>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2002/04

THE NETHER EDGE STORY

April 6 – May 5, 2002
The Nether Edge Story
Installation by Robert Clark

Additional Works

Studio S:
Drawings by Tetsuya Yamazaki

Corridor:
Pinochet Paintings
Paintings by ÜR

Studio N:
Installation by Naoki Iwakawa
Action Paintings by Naoki Iwakawa
Music by Tim Wright

Studio D:
Immurement
Paintings by Daisuke Nishimura
Acoustic contamination by Daisuke, Mush, Hiro & more

Air:
Sound Installation by Kenta Nagai

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2002/02

CLOSE TO PARADISE

February 23 – March 24, 2002
Close To Paradise
Paintings by Rodney Dickson

Performance for the Opening Reception

Mike Stein – bass
Robbie Kuster – drums
Louis & Nagy – keyboard and soundscapes
Patrick Watson – piano & vocals

Additional Works

Studio S:
Drawings by Lotta Pettersson

Studio N:
Naoki Iwakawa
Action Paintings by Naoki Iwakawa
Movement by Kendra Floyd
Sound organized by Nao Sakamoto

Studio D:
Daisuke Nishimura
Music performance by Doro

Corridor:
Sound by Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2001/12

THE THINGS WE STEP ON

December 1 – December 29, 2001
The Things We Step on
Installation by Shige Moriya
Sound Organized by Nao Sakamoto

Additional Works

Studio N:
Naoki Iwakawa
Music by Blake Sleming

Studio S:
Sleeping Beautiful
by Jonathan Spiegel

Studio W:
Photo Installation by Susanna Zana

Corridor:
Moment
by Takuya Ishikawa

Air:
Sound Installation by Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2001/10

UPWARD

October 20 – November 18, 2001
UPWARD
Flying machine & kinetic sculpture Installation by Kyle Dries

Additional Works

Studio N:
Naoki Iwakawa
Music by Ben Armstrong
Marcus DeGrazia
Tatsuya Nakatani

Studio W:
Photo Installation by Susanna Zana

Corridor:
elusive
by Tom Snelgrove

Air:
Sound Installation by Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2001/09

TRUTH

September 8 – October 7, 2001
Truth
Installation by Naoki Iwakawa

Performance for Opening Reception

Film by Jay Eckardt
Action Paint by Naoki Iwakawa
Action by Terrence Kelleman
Music by Mook
Sound Organized by Nao Sakamoto
Engine by Hidetaka Takasaki

Additional Works

Studio S:
Floating Point – Green –
by Shige Moriya
Sound & Performance by Tatsuya Nakatani

Studio W:
Susanne Wimmer

Corridor:
Aurelie Ben Marak

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/12

COLOSSAL HEADS & COLLAPSING BUILDINGS

December 2 – 30, 2000
Colossal Heads & Collapsing Buildings
Photography by Zana Wimmer Movement by Kendra & Erin

Additional Works

Studio S:
Installation by Michael Krynski

Studio N:
Naoki Iwakawa
with sitar by all/on
music by Tim wright & Dylan Willemsa
film by Jay Eckardt & Masa Manabe
action by Terrence Kellman

Studio W:
Zana Wimmer
sound by Nao Sakamoto
Special screening:
Dervish Machine
by Bradley Eros & Jeanne Liotta

Corridor:
Photography by Hidenori Kondo

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/10

BRUTAL SILENCE

October 21 – November 19, 2000
Brutal Silence
New photography and video by Terrence Kelleman

Additional Works

Studio N:
Naoki Iwakawa

Studio W:
Zana Wimmer

Corridor:
Jens Hedin

Studio S:
Metempsychosis
Hugh Crickmore, Erik Hove, Amy Cooper,
Yang Miller & Anja Niemi

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/09

TOTAL ECLIPSE

May 13 -September 9 – October 8, 2000
Total Eclipse
Naoki Iwakawa

Performance for Opening Reception

Music by Tim Wright
Film by Jay Eckardt

Additional Works

Studio S:
Floating Point II
by Shige Moriya
Sound by Nao Sakamoto
Action by Gretchen Mars
Music by Kenta Nagai

Studio W:
Zana Wimmer

Corridor:
Nobu

Outside:
The Distance Formula
Travelling Cinema

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/06

8 EGGS AND A PAIR OF FUR SHOES

June 3 – June 25, 2000
8 Eggs and a Pair of Fur Shoes
An Opera by The Swift Brothers
Art by ÜR

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/05

FLOATING POINT

May 13 – May 28, 2000
Floating Point
Shige Moriya
Sound by Nao Sakamoto

Performance for Opening Reception

Action by Gretchen Mars
Music by Kenta Nagai

Additional Works

Studio S:
Adam Mortimer & Sara Press

Studio W:
Susanne Wimmer
Ruthard Miksch
Music by Karthik S.
Reading by Lee Klein

Studio N:
Naoki Iwakawa
Music by Tim Wright
Film by Jay Eckardt

Corridor A:
ÜR

Corridor B:
Michael Krynski

Corridor C:
Yuki Mogaki

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/04

PAINTINGS & DRAWINGS

April 1 – 30, 2000
Paintings & Drawings
Lotta Pettersson

Additional Works

Studio S:
Uli Brahmst, Luis Lara
Patricia Cazorla, Serena Depero & Pedro Cruz – Castro

Studio W:
Susanne Wimmer

Studio N:
Naoki Iwakawa
Film by Jay Eckardt
Music by Sabir Mateen, Tim Wright & Dylan Willemsa

Corridor A:
Wendy Andringa

Corridor B:
Michael Krynski

Air:
Fretless Guitar by Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 2000/02

SALT & CHARCOAL

February 22 – March 17, 2000
Salt & Charcoal
Sharon Haggins Dunn

Part of Elements 2000 exhibition

Additional Works

Studio S:
Installation by Susan Kornblum

Studio W:
Susanne Wimmer
Guest Musician:
Dylan Wilemsa & Kenta Nagai

Studio N:
Naoki Iwakawa
Music by Tim Wright

Corridor A:
Matsu

Corridor B:
Michael Krynski

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/12

NOTHING WILL EVER BE THE SAME AGAIN

December 18, 1999 – January 23, 2000
Nothing Will Ever Be the Same Again
Rodney Dickson

Performance for Opening Reception

Highteen-Boogie

Additional Works

Studio S:
TA CO BET
by Seiji Nakane

Studio W:
Susanne Wimmer
Guest Musicians:
Carla Kihlstedt, Dylan Wilemsa & Kenta Nagai

Studio N:
Naoki Iwakawa
with Hisayasu Takashio
Sound by Tim Wright

Corridor A:
ÜR

Corridor B:
Michael Krynski

Links

 

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/11

TOTAL ECLIPSE'99

November 6 – December 5, 1999
Total Eclipse `99
Installation by Naoki Iwakawa

Performance for Opening Reception

First Set:
Guitar Solo by Kenta Nagai

Second Set:
Action by Terrence Kelleman

Slide Projection by Nobu

Special Guest
Piano by Carlo Altomare
Bass by Tim Wright

Additional Works

Studio S:
Trace of the Living Thing
by Hisayasu Takashio
Sound by Scott Helland

Studio W:
Susanne Wimmer

Corridor :
ÜR

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/09

WEATHER REPORT

September 25 – October 24, 1999
Weather Report
Installation by Michael Krynski

Additional Works

Studio S:
Traces of The Body
by Anne Arden McDonald

Studio G:
Garden
by Grande

Studio N:
N
by Nao Sakamoto

Corridor:
Motor & Control for the Rolling Mill
by ÜR

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/06

WATER

June 26 – July 25, 1999
Water
Installation by Hiromi Niizeki

Additional Works

Studio S:
Knee of My Naked Mother
by ÜR

Studio G:
Underground Garden
by Grande
Muneto Maekawa

Studio N:
N
Guests:
Jay Eckardt
Nao Sakamoto
Daniel Smith

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/05

SPEED OF LIFE

May 15 – June 12, 1999
Speed of Life
by Jonathan Spiegel

Additional Works

Studio S:
Micro/Macro Days, Cosmic Cave
by Susanne Wimmer

Studio G:
Garden
by Grande
Sound by Kenta Nagai

Studio N:
N
by Naoki Iwakawa
Sound by Nao Sakamoto

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1999/04

HEADS'N SUCH!

April 3 – May 1, 1999
Heads’n Such!
Drawings, paintings & photographs by Sam Sebren

Additional Works

Studio S:
Ritual
photographs by Mark Williamson

Studio G:
Garden
by Grande

Studio N:
N
by Naoki Iwakawa with Nao Sakamoto

Special Guest:
Fretless Guitar
Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/12

PAINTINGS, 1998

December 19 – January 16, 1998
Paintings, 1998
by Naoki Iwakawa

Performances for Opening Reception

Music: Laddio Bolocko
Action: Terrence Kelleman
Sounds Organize: Nao Sakamoto

Additional Works

Studio S:
The Cosmos
by Keiko Kubota

Studio G:
Garden
by Grande

Studio N:
N
by Naoki Iwakawa

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/10

HEAVY LIGHT

October 24 – November 21, 1998
GARDEN
Installation by Grande

Opening Night

Video by Hideo Takeuchi
Music by Kenta Nagai

Additional Works

Studio S:
Untitled
by Matsu

Studio G:
Performances

Petite Naissance
by Terrence Kelleman

Trinity
by Stroke: Akira, Nobu & Tsuyoshi

Studio N:
N
by Naoki, Nao, P-5 & Taku

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/09

HEAVY LIGHT

September 19 – October 11, 1998
HEAVY LIGHT
by Ür

Additional Works

Studio S:
Roncec
Sexbombs & Heroes of the Wild West 3

Studio G:
Garden
Installation by Grande

Studio N:
N
Installation by Naoki Iwakawa
Sound by Nao Sakamoto

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/06

JIGOKU

June 27 – July 25, 1998
Jigoku
Installastion by Hisayasu Takashio

Additional Works

Studio S:
Embody
Installation by Pedro Cruz-Castro

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Sound organized by Nao Sakamoto

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/05

CATASTROPHE

May 16 – June 14, 1998
Catastrophe
Installation by David Opdyke

Additional Works

Studio S:
Photography by Terrence Kellman

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Performance by Terrence Kellman
Film projection by Masahiro Manabe

Corridor:
Paintings by Sarah Barker

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/04

EMPTY VESSELS

April 4 – May 2, 1998
Empty Vessels
by E. Lynn Hassan

Additional Works

Studio S:

Dear Neighbor…
by Lucile Bertrand
with Mark Dresser & Minako

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Performance by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1998/03

PARSING OUTSIDE IN

March 7 – 29, 1998
Parsing Outside in
Curated by Marni Kotack

Installation Artists Process Williamsburg Environments in the Gallery
Ann Harper, Brant Jones, Marni Kotak, Andi Kovell, Diane Lowy, Rosa Valado, Phyllis Yamposky

Additional Works

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto

Links

 

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/12

GARDEN

December 6 – 28, 1997
Garden
Installation by Grande
Visual by Hideo Takeuchi

Opening Performances

Mina with Sonota
Phonix
Mark Williamson
Satoshi Haga
Dorothy Cowfield

Additional Works

Studio S:
Brooklyn Botanica
by Judy Aiello

Studio G:
Nicole Pilar Fell & Akira Osawa

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/11

THE THEATER OF THE ABSURD

November 1 – 23, 1997
The Theater of the Absurd
Staged Photography
Jennifer DeNike
Ann Aeden McDonald
Selections of Czech and Slovak Photographers
Curated by Ann Aeden McDonald

Additional Works

Studio G:
Garden
Installation by Grande with Satoshi Haga

Studio N:
Episode-8
Installation by Naoki Iwakawa Performance by Terrence Kellman Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/09

TOTAL ECLIPSE

September 13 – October 5, 1997
Total Eclipse
Paintings by Naoki Iwakawa

Opening Performances

Tanya Kane – Parry with Evren Celimli
Yuki Takeuchi with Betty Fukuhara
Terrence Kellman

Additional Works

Studio S:
Sculpture by Kenta Furusho

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/06

WOOD WORLD

June 28 – July 27, 1997
Wood World
Sculpture by Hisayasu Takashio

Opening Performances

Mutant by Hisayasu Takashio
Into the Shadow by Mina

Additional Works

Studio S:
Panda Room
Installation by Kengo Hioki

Studio G:
Anarchitects
Paintings by Grande

Studio N:
Episode 5
Installation by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/05

PLANET PLANT

May 24 – June 22, 1997
Planet Plant
Sculpture by Keiko Kubota

Opening Performance

Music by Yoshiki Miura

Additional Works

Studio S:
Scaffolding
Installation by Hiromi Niizeki

Studio G:
Untitled
Painting by David D’Jesus

Studio N:
Episode 5
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/04

ON SITE PAINTINGS

April 26 – May 17, 1997
On Site Paintings
Installation by Joe Wippler

Opening Performance

Phonix

Action Painting by Naoki Iwakawa

Additional Works

Studio G:
Even Monkies Can Paint
Paintings by David Adrian

Studio N:
Episode 4
Installation by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Ceramic sculpture by Hirotune Tashima

Links

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1997/03

WITH CHAOS

March 29 – April 19, 1997
With Chaos
Direction by Shige Moriya
Wall paintings by Miyuki Tsugami

Opening Performances

Sound organized by Nao Sakamoto
Music by David Scott

Action Painting by Naoki Iwakawa

Additional Works

Studio G:
Hiromi Iuchi & David Scott

Studio N:
Episode 3
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Water Falls
Slides & sound installation by Heimo Lattner & Dario Nunez
Dance by Mina

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1996/12

TWINS

December 21 – January 26, 1996
Twins
by Kengo Hioki

Opening night music performance

Mina

Additional Works

Studio G:
Grande

Studio N:
N
Paintings by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Paintings by Art Guerra

Links


>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1996/10

NATURAL ENVIRONMENTS

October 25 – November 24, 1996
Natural Environments
Photographs – Biting fly, Virginia Marine Science Museum
by Mark Williamson

Opening night music performances

Splotch
To Live & Shave in L.A.

Additional Works

Studio G:
Grande & Hiromi Iuchi

Studio N:
N
Paintings by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
The Things We Step On -rainbow-
Installation by Shige Moriya

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1996/09

GRADATION/FADE

September 21 – October 20, 1996
Gradation/Fade
Paintings by Naoki Iwakawa

Performance for opening

Action Paintings by Naoki Iwakawa
Sound organized by Nao Sakamoto
Engine Manipulation by Hidetaka Takasaki
Dance by Harumi
Cloth Design by Rie

Additional Works

Studio G:
Grande

Studio N:
Naoki Iwakawa & Rie

Links


>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, CAVE Gallery showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental in Williamsburg, Brooklyn, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to share their works and engage in informal conversations with each other. Very quickly, a hangout for artistic types and underground enthusiasts was established.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

Exh: 1996/07

GOT A CAVE

April 4 – May 2, 1998
Empty Vessels
by E. Lynn Hassan

Additional Works

Studio S:
Dear Neighbor…
by Lucile Betrand with Mark Dresser & Minako

Studio G:
Garden
Installation by Grande

Studio N:
N
Installation by Naoki Iwakawa
Sound Organized by Nao Sakamoto

Links


>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

  • The LEIMAY Community: A Vital Part of Artistic Growth

    “The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years.  There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould

  • ON THE ROAD & DEAD END


    “She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International

  • 4 NEW FILMS DEBUT IN 2023ALL ARTS

    The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.

  • From: Village Voice – 7 March 2000 – by Jason Gross
    From: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
  • From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii
    From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
  • From: NY ARTS – vol 4 no 10 – by Sean Bosker
    From: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.

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Frantic Beauty

“Frantic Beauty”, Process Art Book, LEIMAY Ensemble, ed. Maddie Winchester

borders

“borders”, Process Art Book with Lucy Kerr, Hiram Pines, Ximena & Shige

onion

Vegan Foodie Paradise

Veganism /ˈviːɡənɪzəm/ is the practice of abstaining from the use of animal products, particularly in diet, as well as following an associated philosophy that rejects the commodity status of sentient animals. A follower of veganism is known as a vegan.

Distinctions are sometimes made between different categories of veganism. Dietary vegans (or strict vegetarians) refrain from consuming animal products, not only meat but, in contrast to ovo-lacto vegetarians, also eggs, dairy products and other animal-derived substances. The term ethical vegan is often applied to those who not only follow a vegan diet, but extend the vegan philosophy into other areas of their lives, and oppose the use of animals or animal products for any purpose.[4] Another term used is environmental veganism, which refers to the avoidance of animal products on the premise that the harvesting or industrial farming of animals is environmentally damaging and unsustainable.

The term vegan was coined in 1944 by Donald Watson when he co-founded The Vegan Society in England, at first to mean “non-dairy vegetarian” and later to refer to “the doctrine that man should live without exploiting animals.”Interest in veganism increased in the 2000s; vegan food became increasingly available in supermarkets and restaurants in many countries, and several top athletes in endurance sports, such as the Ironman triathlon and the ultramarathon, began to practise veganism and raw veganism.

A 2009 research review indicated that vegan diets tend to be higher in dietary fibre, magnesium, folic acid, vitamin C, vitamin E, iron and phytochemicals, and lower in calories, saturated fat, cholesterol, long-chain omega-3 fatty acids, vitamin D, calcium, zinc and vitamin B12.[8] Well-planned vegan diets appear to offer protection against certain degenerative conditions, including heart disease,[9] and are regarded as appropriate for all stages of the life-cycle by the American Dietetic Association, the Australian National Health and Medical Research Council, and Dietitians of Canada.[10] Because uncontaminated plant foods do not provide vitamin B12 (which is produced by microorganisms such as bacteria), researchers agree that vegans should eat B12-fortified foods or take a supplement.

Lemon-Vodka Life Philosophy

I believe that if life gives you lemons, you should make lemonade… And try to find somebody whose life has given them vodka, and have a party.” 

Ron White

  • cupi
  • modohome

Honey Road

Honey /ˈhʌni/ is a sweet food made by bees using nectar from flowers. The variety produced by honey bees (the genus Apis) is the one most commonly referred to, as it is the type of honey collected by most beekeepers and consumed by people. Honeys produced by other bees (bumblebees, stingless bees) and other hymenoptera insects (e. g. honey wasps) have different properties, and they are not discussed in this article.Honey bees transform nectar into honey by a process of regurgitation and evaporation. They store it as a primary food source in wax honeycombs inside the beehive.Honey gets its sweetness from the monosaccharides fructose and glucose, and has approximately the same relative sweetness as granulated sugar.[1][2] It has attractive chemical properties for baking and a distinctive flavor that leads some people to prefer it over sugar and other sweeteners.[1] Most microorganisms do not grow in honey because of its low water activity of 0.6.  However, honey sometimes contains dormant endospores of the bacterium Clostridium botulinum, which can be dangerous to infants, as the endospores can transform into toxin-producing bacteria in infants’ immature intestinal tracts, leading to illness and even death.

Honey has had a long history in human consumption, and is used in various foods and beverages as a sweetener and flavoring. It also has a role in religion and symbolism. Flavors of honey vary based on the nectar source, and various types and grades of honey are available. It has also been used in various medicinal traditions to treat ailments. The study of pollens and spores in raw honey (melissopalynology) can determine floral sources of honey.[5] Bees carry an electrostatic charge whereby they attract other particles in addition to pollen, which become incorporated into their honey; the honey can be analysed by the techniques of melissopalynology in area environmental studies of radioactive particles, dust and particulate pollution.

  • cupi
  • modohome

Honey Road

Honey /ˈhʌni/ is a sweet food made by bees using nectar from flowers. The variety produced by honey bees (the genus Apis) is the one most commonly referred to, as it is the type of honey collected by most beekeepers and consumed by people. Honeys produced by other bees (bumblebees, stingless bees) and other hymenoptera insects (e. g. honey wasps) have different properties, and they are not discussed in this article.Honey bees transform nectar into honey by a process of regurgitation and evaporation. They store it as a primary food source in wax honeycombs inside the beehive.Honey gets its sweetness from the monosaccharides fructose and glucose, and has approximately the same relative sweetness as granulated sugar.[1][2] It has attractive chemical properties for baking and a distinctive flavor that leads some people to prefer it over sugar and other sweeteners.[1] Most microorganisms do not grow in honey because of its low water activity of 0.6.  However, honey sometimes contains dormant endospores of the bacterium Clostridium botulinum, which can be dangerous to infants, as the endospores can transform into toxin-producing bacteria in infants’ immature intestinal tracts, leading to illness and even death.

Honey has had a long history in human consumption, and is used in various foods and beverages as a sweetener and flavoring. It also has a role in religion and symbolism. Flavors of honey vary based on the nectar source, and various types and grades of honey are available. It has also been used in various medicinal traditions to treat ailments. The study of pollens and spores in raw honey (melissopalynology) can determine floral sources of honey.[5] Bees carry an electrostatic charge whereby they attract other particles in addition to pollen, which become incorporated into their honey; the honey can be analysed by the techniques of melissopalynology in area environmental studies of radioactive particles, dust and particulate pollution.

thank-you

New Wave Of Comedy

Many comics achieve a cult following while touring famous comedy hubs such as the Just for Laughs festival in Montreal, the Edinburgh Fringe, and Melbourne Comedy Festival in Australia. Often a comic’s career advances significantly when they win a notable comedy award, such as the Edinburgh Comedy Award (formerly the Perrier comedy award). Comics sometimes foray into other areas of entertainment, such as film and television, where they become more widely known; e.g., Eddie Izzard or Charlyne Yi. However, a comic’s stand-up success does not guarantee a film’s critical or box office success.

thank-you

New Wave Of Comedy

Many comics achieve a cult following while touring famous comedy hubs such as the Just for Laughs festival in Montreal, the Edinburgh Fringe, and Melbourne Comedy Festival in Australia. Often a comic’s career advances significantly when they win a notable comedy award, such as the Edinburgh Comedy Award (formerly the Perrier comedy award). Comics sometimes foray into other areas of entertainment, such as film and television, where they become more widely known; e.g., Eddie Izzard or Charlyne Yi. However, a comic’s stand-up success does not guarantee a film’s critical or box office success.

100H

Magnoliophyta

A flower, sometimes known as a bloom or blossom, is the reproductive structure found in flowering plants (plants of the division Magnoliophyta, also called angiosperms). The biological function of a flower is to effect reproduction, usually by providing a mechanism for the union of sperm with eggs. Flowers may facilitate outcrossing (fusion of sperm and eggs from different individuals in a population) or allow selfing (fusion of sperm and egg from the same flower). Some flowers produce diaspores without fertilization (parthenocarpy). Flowers contain sporangia and are the site where gametophytes develop. Flowers give rise to fruit and seeds. Many flowers have evolved to be attractive to animals, so as to cause them to be vectors for the transfer of pollen.

Becoming-Corpus

“Becoming-Corpus”, Process Art Book by Angeli Sion & Ximena Garnica

CAVE, Butoh & NY

“CAVE, Butoh & NY”, View Points, The Saison Foundation, Japan

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