Yokihi

A Love Beyond Death

Kaoru Watanabe

LEIMAY PRESENTING SERIES 2026: AT HOME

Yokihi has long been told as the tale of Emperor Genso and his beloved concubine. I, however, reinterpret this story as a symbol of love, devotion, and the eternal yearning for a connection to the past.

Even if one physically returns, what awaits may be a transformed landscape—and a self that no longer fits. I am exploring the play Yokihi to understand its meaning and appeal, which has endured for over a millennium. In doing so, I am also searching for the fragile and tenuous threads that link history to the present, roots to identity.

Documentation

Documentation Images Related Event Images

Performance
Performance
6 photos

 

Open Rehearsal
Open Rehearsal
8 photos

 

House Program Testimonials More Purchase
I am feeling very much in my body, feeling resonance, vibration, a dangerous sense of... Continued
I found it incredibly exciting. I found it exhilarating. I found it, in the best... Continued
I just saw this beautiful work, and it's a really good, well-crafted piece of theater,... Continued
I'm stunned by it. Like, it's intense. It was captivating. I was just blown away.... Continued
Wasn't expecting it. Learn and how that matched with the music. Very impressive and totally... Continued
I'm still finding the words for the experience. I think what I'm feeling still is... Continued
Ximena, Shige and LEIMAY… it's unbelievable what they've done here, and this work is so... Continued
So I'm incredibly impressed with Yuniya's performance and composition. And, it was a journey, not... Continued
Mi nombre es José Gregorio, Es la primera vez que vengo para acá. En verdad,... Continued
Es mi primera vez viendo la obra de LEIMAY, y pues me sobrepasó. Las imágenes... Continued
“Our time at CAVE felt much like an incubation. We enter with ourselves, our ideas.... Continued
“She is simply breathtaking, possessing a supple body that seems to have no spine, yet... Continued
"Nobody dances like him, and nobody can dance like him. The revolution of life takes... Continued
“The events offered by LEIMAY are always very thoughtful about being financially possible for everyone.... Continued
"I was so glad to be back at CAVE! I enjoyed the performance and was... Continued
"'Nobody's Money' that is shown at CAVE residency program, is about connection between the body... Continued

KAORU WATANABE
Composer and instrumentalist Kaoru Watanabe’s work is rooted in traditional Japanese performing arts and infused with contemporary experimental and improvisational elements. He is a highly sought-after collaborator, working with such iconic artists as Wes Anderson, Laurie Anderson, and Bando Tamasaburo. After studying jazz at the Manhattan School of Music, Watanabe became the first US-born performer and artistic director of the groundbreaking taiko drumming ensemble Kodo. Watanabe’s unique approach to integrating elements of Japanese music into his vast array of collaborative projects has culminated in the creation of Bloodlines Interwoven, a multifaceted commissioning ensemble celebrating heritage, immigration, and diaspora through music.

ALICIA HALL MORAN
Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Ms. Moran starred as Bess on the celebrated 20-city American tour of the Tony-winning revival The Gershwins’ Porgy and Bess.

DANA LYN
Brooklyn-based composer, violinist, pianist, and visual artist whose work spans the gamut from
multidisciplinary productions to traditional Irish fiddling to improvisation.

SATOSHI TAKEISHI
Based in New York City, percussionist Satoshi Takeishi has become a prominent figure in the jazz and experimental music scenes, celebrated for his versatility and ability to seamlessly integrate musical genres ranging from jazz to world music and avant-garde styles.

Object Identifier

AMP.PRG.2026.8000.1

Year Created

2026

Performance dates

2026-07-18 00:00:00

Language

English

Curated Filters

Space / Location

  • CAVE home of LEIMAY

Premiere Venue

CAVE Home Of LEIMAY
July 13, 2026 - July 19, 2026
58 Grand Street, Brooklyn, NY

Concept & Artistic Direction
Kaoru Watanabe

Mezzo Soprano
Alicia Hall Moran

Violin
Dana Lyn

Percussion
Satoshi Takeishi

Japanese flutes and percussion
Kaoru Watanabe

All compositions by Kaoru Watanabe
Thank you to Mikhail Baryshnikov who commissioned the original version of this piece

Technical coordinator
Benja Thompson

Technical assistance
Masanori Asahara

Production assistance
Krystel Mazzeo
Zee Baird-Appleton

Photo and Video by Benja Thompson

LEIMAY is an artist-led practice and nonprofit organization founded by Ximena Garnica and Shige Moriya, based in Brooklyn. For three decades, it has sustained a dedicated space for artistic creation rooted in experimentation and embodied practice. Working across performance, visual art, and interdisciplinary research, LEIMAY operates as both an organizational structure and a living artistic environment where work and exchange take place over time. Through its home at CAVE and its public activities, LEIMAY engages artists and audiences while maintaining ongoing support from public agencies, foundations, and individual donors.

CAVE, LEIMAY’s home in Williamsburg, is a long-standing site for artistic experimentation and community exchange. It functions as a space where artists develop work, share process, and remain in dialogue with the conditions of the city.

LEIMAY is itself a work of art. It is constantly transforming as a living organism, guided by a belief that the world is realized through experience, discovered through questioning, and changed by action.

The word LEIMAY is a Japanese term symbolizing the changing moment between darkness and light, or the passage from one era to another. This sense of transition informs a practice that attends to perception, embodiment, and relation, holding space for what emerges in the in-between.

Across its activities, LEIMAY organizes its work through interrelated pathways of practice that engage the body, the imagination, and relation. Often articulated as Embody, Imagine, and Weave, these are not separate programs but ways in which artistic processes circulate through training, creation, and public engagement. Through this approach, LEIMAY sustains an ecosystem where artists develop work, share process, and participate in a broader field of exchange

LEIMAY At Home Constellation series is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council; The New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the Harkness Foundation; the Howard Gilman Foundation; the Mertz Gilmore Foundation; the Mellon Foundation and many generous contributions from individual donors.

LEIMAY extends heartfelt thanks to our supporters and funders.

LEIMAY Team

Ximena Garnica and Shige Moriya
Artistic and General Co-Directors

The LEIMAY Ensemble
Masanori Asahara, Krystel Mazzeo & Akane Little

Ado Sotomayor
Project Consultant

Emilia Winschu
Marketing, Outreach and Development Consultant

Mario Santana
Finance Consultant

Marlon Hurtado
Finance Consultant

Megan Kendzior
Strategic Development Consultant

Denisa Musilova
Development Associate

Series