Exh: 2000/02

SALT & CHARCOAL

February 22 – March 17, 2000
Salt & Charcoal
Sharon Haggins Dunn

Part of Elements 2000 exhibition

Additional Works

Studio S:
Installation by Susan Kornblum

Studio W:
Susanne Wimmer
Guest Musician:
Dylan Wilemsa & Kenta Nagai

Studio N:
Naoki Iwakawa
Music by Tim Wright

Corridor A:
Matsu

Corridor B:
Michael Krynski

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 2000/02

SALT & CHARCOAL

February 22 – March 17, 2000
Salt & Charcoal
Sharon Haggins Dunn

Part of Elements 2000 exhibition

Additional Works

Studio S:
Installation by Susan Kornblum

Studio W:
Susanne Wimmer
Guest Musician:
Dylan Wilemsa & Kenta Nagai

Studio N:
Naoki Iwakawa
Music by Tim Wright

Corridor A:
Matsu

Corridor B:
Michael Krynski

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/12

NOTHING WILL EVER BE THE SAME AGAIN

December 18, 1999 – January 23, 2000
Nothing Will Ever Be the Same Again
Rodney Dickson

Performance for Opening Reception

Highteen-Boogie

Additional Works

Studio S:
TA CO BET
by Seiji Nakane

Studio W:
Susanne Wimmer
Guest Musicians:
Carla Kihlstedt, Dylan Wilemsa & Kenta Nagai

Studio N:
Naoki Iwakawa
with Hisayasu Takashio
Sound by Tim Wright

Corridor A:
ÜR

Corridor B:
Michael Krynski

Links

 

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/11

TOTAL ECLIPSE'99

November 6 – December 5, 1999
Total Eclipse `99
Installation by Naoki Iwakawa

Performance for Opening Reception

First Set:
Guitar Solo by Kenta Nagai

Second Set:
Action by Terrence Kelleman

Slide Projection by Nobu

Special Guest
Piano by Carlo Altomare
Bass by Tim Wright

Additional Works

Studio S:
Trace of the Living Thing
by Hisayasu Takashio
Sound by Scott Helland

Studio W:
Susanne Wimmer

Corridor :
ÜR

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/09

WEATHER REPORT

September 25 – October 24, 1999
Weather Report
Installation by Michael Krynski

Additional Works

Studio S:
Traces of The Body
by Anne Arden McDonald

Studio G:
Garden
by Grande

Studio N:
N
by Nao Sakamoto

Corridor:
Motor & Control for the Rolling Mill
by ÜR

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/06

WATER

June 26 – July 25, 1999
Water
Installation by Hiromi Niizeki

Additional Works

Studio S:
Knee of My Naked Mother
by ÜR

Studio G:
Underground Garden
by Grande
Muneto Maekawa

Studio N:
N
Guests:
Jay Eckardt
Nao Sakamoto
Daniel Smith

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/05

SPEED OF LIFE

May 15 – June 12, 1999
Speed of Life
by Jonathan Spiegel

Additional Works

Studio S:
Micro/Macro Days, Cosmic Cave
by Susanne Wimmer

Studio G:
Garden
by Grande
Sound by Kenta Nagai

Studio N:
N
by Naoki Iwakawa
Sound by Nao Sakamoto

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1999/04

HEADS'N SUCH!

April 3 – May 1, 1999
Heads’n Such!
Drawings, paintings & photographs by Sam Sebren

Additional Works

Studio S:
Ritual
photographs by Mark Williamson

Studio G:
Garden
by Grande

Studio N:
N
by Naoki Iwakawa with Nao Sakamoto

Special Guest:
Fretless Guitar
Kenta Nagai

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/12

PAINTINGS, 1998

December 19 – January 16, 1998
Paintings, 1998
by Naoki Iwakawa

Performances for Opening Reception

Music: Laddio Bolocko
Action: Terrence Kelleman
Sounds Organize: Nao Sakamoto

Additional Works

Studio S:
The Cosmos
by Keiko Kubota

Studio G:
Garden
by Grande

Studio N:
N
by Naoki Iwakawa

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/10

HEAVY LIGHT

October 24 – November 21, 1998
GARDEN
Installation by Grande

Opening Night

Video by Hideo Takeuchi
Music by Kenta Nagai

Additional Works

Studio S:
Untitled
by Matsu

Studio G:
Performances

Petite Naissance
by Terrence Kelleman

Trinity
by Stroke: Akira, Nobu & Tsuyoshi

Studio N:
N
by Naoki, Nao, P-5 & Taku

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/09

HEAVY LIGHT

September 19 – October 11, 1998
HEAVY LIGHT
by Ür

Additional Works

Studio S:
Roncec
Sexbombs & Heroes of the Wild West 3

Studio G:
Garden
Installation by Grande

Studio N:
N
Installation by Naoki Iwakawa
Sound by Nao Sakamoto

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/06

JIGOKU

June 27 – July 25, 1998
Jigoku
Installastion by Hisayasu Takashio

Additional Works

Studio S:
Embody
Installation by Pedro Cruz-Castro

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Sound organized by Nao Sakamoto

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/05

CATASTROPHE

May 16 – June 14, 1998
Catastrophe
Installation by David Opdyke

Additional Works

Studio S:
Photography by Terrence Kellman

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Performance by Terrence Kellman
Film projection by Masahiro Manabe

Corridor:
Paintings by Sarah Barker

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/04

EMPTY VESSELS

April 4 – May 2, 1998
Empty Vessels
by E. Lynn Hassan

Additional Works

Studio S:

Dear Neighbor…
by Lucile Bertrand
with Mark Dresser & Minako

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa
Performance by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1998/03

PARSING OUTSIDE IN

March 7 – 29, 1998
Parsing Outside in
Curated by Marni Kotack

Installation Artists Process Williamsburg Environments in the Gallery
Ann Harper, Brant Jones, Marni Kotak, Andi Kovell, Diane Lowy, Rosa Valado, Phyllis Yamposky

Additional Works

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto

Links

 

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/12

GARDEN

December 6 – 28, 1997
Garden
Installation by Grande
Visual by Hideo Takeuchi

Opening Performances

Mina with Sonota
Phonix
Mark Williamson
Satoshi Haga
Dorothy Cowfield

Additional Works

Studio S:
Brooklyn Botanica
by Judy Aiello

Studio G:
Nicole Pilar Fell & Akira Osawa

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/11

THE THEATER OF THE ABSURD

November 1 – 23, 1997
The Theater of the Absurd

Staged Photography
Jennifer DeNike
Ann Aeden McDonald
Selections of Czech and Slovak Photographers
Curated by Ann Aeden McDonald

Additional Works

Studio G:
Garden
Installation by Grande with Satoshi Haga

Studio N:
Episode-8
Installation by Naoki Iwakawa Performance by Terrence Kellman Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/09

TOTAL ECLIPSE

September 13 – October 5, 1997
Total Eclipse
Paintings by Naoki Iwakawa

Opening Performances

Tanya Kane – Parry with Evren Celimli
Yuki Takeuchi with Betty Fukuhara
Terrence Kellman

Additional Works

Studio S:
Sculpture by Kenta Furusho

Studio G:
Garden
Installation by Grande with Kengo Hioki

Studio N:
N
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/06

WOOD WORLD

June 28 – July 27, 1997
Wood World
Sculpture by Hisayasu Takashio

Opening Performances

Mutant by Hisayasu Takashio
Into the Shadow by Mina

Additional Works

Studio S:
Panda Room
Installation by Kengo Hioki

Studio G:
Anarchitects
Paintings by Grande

Studio N:
Episode 5
Installation by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/05

PLANET PLANT

May 24 – June 22, 1997
Planet Plant
Sculpture by Keiko Kubota

Opening Performance

Music by Yoshiki Miura

Additional Works

Studio S:
Scaffolding
Installation by Hiromi Niizeki

Studio G:
Untitled
Painting by David D’Jesus

Studio N:
Episode 5
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/04

ON SITE PAINTINGS

April 26 – May 17, 1997
On Site Paintings

Installation by Joe Wippler

Opening Performance

Phonix

Action Painting by Naoki Iwakawa

Additional Works

Studio G:
Even Monkies Can Paint
Paintings by David Adrian

Studio N:
Episode 4
Installation by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Ceramic sculpture by Hirotune Tashima

Links

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1997/03

WITH CHAOS

March 29 – April 19, 1997
With Chaos
Direction by Shige Moriya
Wall paintings by Miyuki Tsugami

Opening Performances

Sound organized by Nao Sakamoto
Music by David Scott

Action Painting by Naoki Iwakawa

Additional Works

Studio G:
Hiromi Iuchi & David Scott

Studio N:
Episode 3
Installation by Naoki Iwakawa Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Water Falls
Slides & sound installation by Heimo Lattner & Dario Nunez
Dance by Mina

Links

>Opening Event Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1996/12

TWINS

December 21 – January 26, 1996
Twins

by Kengo Hioki

Opening night music performance

Mina

Additional Works

Studio G:
Grande

Studio N:
N
Paintings by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
Paintings by Art Guerra

Links


>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1996/10

NATURAL ENVIRONMENTS

October 25 – November 24, 1996
Natural Environments
Photographs – Biting fly, Virginia Marine Science Museum
by Mark Williamson

Opening night music performances

Splotch
To Live & Shave in L.A.

Additional Works

Studio G:
Grande & Hiromi Iuchi

Studio N:
N
Paintings by Naoki Iwakawa
Sound by Nao Sakamoto
Film projection by Masahiro Manabe

Studio S:
The Things We Step On -rainbow-
Installation by Shige Moriya

Links

 

>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Exh: 1996/09

GRADATION/FADE

September 21 – October 20, 1996
Gradation/Fade

Paintings by Naoki Iwakawa

Performance for opening

Action Paintings by Naoki Iwakawa
Sound organized by Nao Sakamoto
Engine Manipulation by Hidetaka Takasaki
Dance by Harumi
Cloth Design by Rie

Additional Works

Studio G:
Grande

Studio N:
Naoki Iwakawa & Rie

Links

About

From 1996-2006, CAVE Gallery showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental in Williamsburg, Brooklyn, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to share their works and engage in informal conversations with each other. Very quickly, a hangout for artistic types and underground enthusiasts was established.

Exh: 1996/07

GOT A CAVE

April 4 – May 2, 1998
Empty Vessels
by E. Lynn Hassan

Additional Works

Studio S:
Dear Neighbor…
by Lucile Betrand with Mark Dresser & Minako

Studio G:
Garden
Installation by Grande

Studio N:
N
Installation by Naoki Iwakawa
Sound Organized by Nao Sakamoto

Links


>Exhibition Images

>Video Documentation

About

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began as a venture of Shige Moriya and a group of artists in the mid-90’s. Fostered from an industrial rental, they transformed the 3,000 sq ft garage into a live-work space, which was considered to be one of the first recognized galleries of the neighborhood. Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present ‘nakedly’ by offering completed and in-progress works and receiving feedback from peers. In addition to studio arts, openings often included music and other kinds of performances.

Best Forex Virtual Trading Apps in 2025

Paper trading is a simulated trading practice using virtual funds to mimic real market conditions. For Indian traders, it’s a safe way to learn NSE/BSE dynamics, test strategies, and build confidence without financial risk. If you want to take your learning to the next level, the Entri Stock Market Course can give you expert guidance to complement your paper trading. Start with these apps today and let 2025 be the year you turn your virtual wins into real profits.

Stockpe

Make sure to experiment with a few different options strategies before putting any real funds into these complex derivatives. In this review, I’m going to cover the 7 best free stock market simulators for paper trading and which one is best for you. Yes, paper trading is worth it because it lets you learn and test strategies without risking real money, helping you build skills and confidence. It also provides an opportunity to familiarize yourself with trading platforms and understand the psychological aspects of trading. Explore over 900 educational resources, follow top-performing paper traders and join paper trade competitions as you practice trading stocks, options and futures with Moomoo.

But with so many trading apps available today, it can be confusing to choose best virtual trading app the right one. Each app claims to offer the best features, lowest charges, and fastest services. Paper trading with in-depth stock market courses and community discussions Rishi Gupta is a dynamic day trader known for his quick decision-making and strategic approach to short-term market movements. With years of experience in high-frequency trading and chart analysis, Rishi specializes in spotting intraday trends and capitalizing on price fluctuations.

This is particularly beneficial for new traders who are unfamiliar with market dynamics and trading strategies. Paytm Money is among the most prominent online trading apps, boasting nearly 14 million users. It facilitates investments in equity, mutual funds, and financial instruments like the National Pension System (NPS). However, trading in currency and commodities is not supported on the platform.

We may also receive compensation if you click on certain links posted on our site. While compensation arrangements may affect the order, position or placement of product information, it doesn’t influence our assessment of those products. Please don’t interpret the order in which products appear on our Site as any endorsement or recommendation from us. Finder compares a wide range of products, providers and services but we don’t provide information on all available products, providers or services. Please appreciate that there may be other options available to you than the products, providers or services covered by our service. Matt Miczulski is an investments editor and market analyst at Finder.

  • Choose apps that are regulated by SEBI, use encryption, and have good app store ratings for reliability.
  • Make no mistake about it – most traders in the online scene lose money.
  • They enable paper trading on supported sites so you can place simulated orders while prices update-ideal for timing drills without a brokerage account.
  • As long as your chosen paper trading app is licensed by a tier-one regulator (like the FCA or ASIC), you should have no concerns surrounding safety.
  • The platforms offering these virtual trading facilities are called stock stimulators.

Pre-built Options Strategies

You’ll start as a high-roller with $1 million in paper money available for trading, and you’ll be able to use the broker’s full range of trading tools. While the environment is simulated, the market conditions are real, so you can get a feel for how you might respond under the pressure of the real thing. After registering online, you can start trading with any amount of virtual money you want. The platform will provide you with details of your day’s trades, and you’ll see a report of your gains and losses. Another advantage of TradeStation is that you can test out your hunches, creating automated trading strategies and then using the platform’s real-time data to validate them.

These apps provide a risk-free platform where users can learn about investing and trading strategies without using real money. VSE is an online platform that allows users to participate in virtual stock trading. It provides a simulated stock market environment where users can buy and sell stocks, track their portfolios, and compete against other virtual traders. The app offers real-time stock prices and a variety of trading options, including limit orders, stop-loss orders, and short selling. It’s primarily designed for educational purposes, allowing individuals to learn about investing and practice trading strategies without the risk of losing real money. It’s designed to mirror the real-time Indian stock market experience.

Our picks of the best paper trading platforms for options traders, crypto traders, futures traders and more.

  • You cannot make money paper trading as the money you make or loose is virtual money which cannot be withdrawn.
  • Like Robinhood, Webull offers commission-free trading on stocks, ETFs, and options.
  • This is because eToro is heavily regulated, so it must comply with anti-money laundering laws.
  • Some traders use bull markets to make a profit by buying the dip and selling when the price reaches a new high.

The Forex virtual trading simulator software tracks your performance, so you can see how your decisions would play out in the real world. This way, you can learn the ropes of Forex trading without any financial risk. Thinkorswim by TD Ameritrade and Webull are top apps for paper trading options, with powerful tools and features for strategy testing. Most apps offer ₹1 lakh or $100,000, enough to try out different trades and strategies. Explore easy-to-understand lessons and tips on stock market basics, trading strategies, and more.

Day traders love TradeStation as a trading platform (our editorial team chose it as the best day trading platform in 2025), which comes with a free trading simulator. The simulator offers all the charting and analysis tools you’ll need to test your strategies and gain confidence before you start trading. This feature allows you to practice investing at any time, from your phone (eToro’s mobile app) or computer, regardless of your investing experience. You can buy stocks, ETFs, and cryptocurrencies, and test various buy-and-hold or technical trading strategies. However, some brokers may not offer the platform’s full range of features when paper trading. Finder’s investments experts review 18 brokers available on the market to narrow down the best brokerage accounts for paper trading.

What are Stock Apps?

The app is known for its low fees, making it an attractive option for international traders who want to minimize costs. ZuluTrade is a social trading platform that connects traders with investors looking to copy their strategies. The app allows you to follow and copy the trades of professional traders who have proven success in the markets. ZuluTrade also offers risk management tools, so you can set your preferred risk level when copying other traders’ strategies. SoFi Invest is a great option for beginners who want to manage their investments as part of a broader financial plan. The automated option is especially useful for those who are new to investing and don’t have the time or interest to manage their portfolio actively.

What all can I trade using a stock market app?

Once users have registered with the app, they’ll be able to set their account value and begin trading with virtual money. Through paper trading, you’ll be able to track how your trades perform over time and whether your strategies are ready to be used with real money. You’ll be able to see your daily and overall profit and loss statements as well as how much buying power your portfolio has. It’s a nice feature for one of the most popular investment apps in recent years.

What is the Best Practice Stock Trading App?

At TrakInvest, you can also track other traders and dig deeper into their trading activity (portfolio) where you can replicate their trades using the ‘Copy Trade’ facility. Overall, TrakInvest provides a simple and friendly platform for ‘Social’ virtual trading for beginners. TradingView is a popular charting and technical analysis website that also provides paper trading features using its paper trading app in India. It is one of the best paper trading websites in terms of the facilities it provides like charts, technical tools are more.

The TD Ameritrade app gives you access to most features and tools as found on its main desktop site. In terms of opening a real account, you’ll need to deposit at least £250. This includes licenses with the FCA and ASIC – so safety should be of no concern. As for the cost of a real account with Interactive Brokers, it’s important to note that it offers different pricing structures and account types. The cost of a real account will depend on factors such as the type of account you choose, the trading activity, and the market data subscriptions you require. To open a paper trading account, you must first have a regular trading account with Interactive Brokers that has been approved and funded.

Best Day Trading Software, Tools & Apps in 2025 (Free & Paid)

After all, the broker is one of the biggest and most trusted trading platforms in the domestic marketplace. Although most traders prefer to use the online platform – TD Ameritrade also offers a fully-fledged mobile app. The only exception to this is stock CFDs – which come with a variable percentage fee. Spreads are very tight on most asset classes, and leverage is available on all CFD markets. If you opt for traditional shares at IG, then you will pay £8 per trade.

Virtual trading provides practical experience but works best when combined with formal financial education. The hands-on practice reinforces theoretical knowledge and develops intuitive market understanding. How accurate are virtual trading platforms compared to real trading? Quality virtual trading platforms achieve 95-98% accuracy in price feeds and execution simulation.

How to Calculate Declining Balance Depreciation

accumulated depreciation formula

When we get to the last https://www.bookstime.com/ year of the asset’s life, we ignore the formula. With declining balance methods of depreciation, when the asset has a salvage value, the ending Net Book Value should be the salvage value. Under Straight Line Depreciation, we first subtracted the salvage value before figuring depreciation. With declining balance methods, we don’t subtract that from the calculation. What that means is we are only depreciating the asset to its salvage value.

Impact on Financial Analysis

accumulated depreciation formula

For example, in Example 1, the accumulated depreciation after 5 years is $450,000. For an asset that’s being depreciated over five years, the sum-of-the-years’ digits would be 15 (1+2+3+4+5). Under IFRS, the depreciable amount is the cost of an asset, or other amount substituted for cost, less its residual value while U.S.

  • The company has adequate cash flows to support the debt with ease, but the lender’s credit analyst must still perform a thorough investigation of ABC Corp.’s balance sheet.
  • A stale depreciation schedule can lead to misleading reports and potential issues come tax time or when you’re seeking financing.
  • At the end of year 10, the netbook value is equal to $ 20,000 which is the scrap value.
  • Each time a business records depreciation expense, it increases the balance in the accumulated depreciation account.
  • Proration considers the accounting period that an asset had depreciated over based on when you bought the asset.

Balance-Sheet Line Item (fixed-asset section)

accumulated depreciation formula

No one wants to find out their essential machinery is worthless mid-project. Our clients can push depreciation schedules directly to their designated 1-800Accountant team for quarterly reviews, ensuring tax and records stay synchronized and error-free. OBBB permanently reinstates 100% bonus depreciation for eligible property placed in service after January 19, 2025. This replaces the prior phase-out schedule (20% per year) that would have dropped the rate to 40% by year-end. Once an asset is fully depreciated, its book value is equal to its salvage value. Access to accumulated depreciation data is readily available through the InvestingPro platform.

accumulated depreciation formula

Examples of Accumulated Depreciation Formula

  • The straight-line method is the easiest way to calculate accumulated depreciation, depreciating assets at an equal amount over each year for the rest of its useful life.
  • The income statement reports the revenues, gains, expenses, losses, net income and other totals for the period of time shown in the heading of the statement.
  • You can depreciate most tangible property (like buildings, vehicles, and equipment) as well as certain intangible property (such as patents or copyrights).
  • Enter the cost of the asset, salvage value, life of the asset, and the number of years owned to determine the accumulated depreciation.
  • There, you can find the original cost of each asset as well as its corresponding accumulated depreciation.
  • The straight line method is probably the simplest method of depreciation.

Tax deductions are typically based on the accumulated Depreciation recorded for an asset. When an asset is sold, calculating the gain or loss on the sale relies on Accounting Errors accumulated Depreciation. For the next of years, we apply the same percentage on the booked of written down value of the asset, but the value of the percentage is not given in the data we have. Accumulated depreciation on 31 December 2019 is equal to the opening balance amount of USD400,000 plus depreciation charge during the year amount of USD40,000. Repeat the steps to calculate the beginning book value for the asset in subsequent years of the asset’s useful life until the asset is depreciated down to its salvage value. Martin loves entrepreneurship and has helped dozens of entrepreneurs by validating the business idea, finding scalable customer acquisition channels, and building a data-driven organization.

How do you classify accumulated depreciation on the balance sheet?

Under this method, the cost of the asset is depreciated evenly over its useful life. The straight line method is probably the simplest method of depreciation. There, you can find the original cost of each asset as well as its corresponding accumulated depreciation. At the end of the asset’s useful life, the net value of the asset should be equal to zero. It assumes that an asset loses its accumulated depreciation formula value at a constant rate over its useful life.

accumulated depreciation formula

accumulated depreciation formula

There could be a plan in place to replace them shortly and therefore the high ratio may not be necessarily a warning signal. In this case, it will be important to look further into what the company is planning to do in the near future regarding this situation. To record depreciation as an expense, a company must also report the same amount as a credit to accumulated depreciation. Accumulated depreciation is reported as a credit in the journal entry, which is a key step in recording depreciation as an expense. Accumulated depreciation is calculated by finding the total of the depreciated expense of the asset after each year.

Hello world!

Welcome to WordPress. This is your first post. Edit or delete it, then start writing!

2C-B-FLY: Is It The Best Psychedelic For Arousal & Sexual Intimacy?

In this guide though, we give an overview of 2C-B-FLY, including what it is, what taking it is like, how much you should take, if it’s legal, and where to buy 2C-B-FLY. In the United States, 2C-B-FLY isn’t directly mentioned, which would make it an unscheduled substance. It isn’t well-known or discussed amongst regulators or lawmakers and is rarely listed on official prohibited substance lists.

  • It was Ann Shulgin’s favorite psychedelic drug and she found it particularly enjoyable in terms of enhanced eroticism.
  • Many of the benefits will only occur if you follow the tips below.Most (if not all) of the side effects are preventable and they will not happen if you follow the Safety checklist.
  • A lot of this comes from the fact that its effects can change depending on the dose you’re using.
  • 2C-B-FLY is currently illegal in most parts of the world, and this is unlikely to change unless the general sentiment on psychedelic substances is changed on a federal level.
  • 2C-B is the closest psychedelic in terms of both the chemical structure and the effect profile to 2C-B-FLY.

Visual effects

Therefore, there is virtually no way to know what your trip will feel like.The only way to truly know what 2C-B-Fly feels like is to take it.2C-B-Fly will most likely give you a pleasant experience. With that said, candy flipping (mixing LSD and MDMA) feels fairly different than taking 2C-B-Fly.One distinct effect of 2C-B-Fly is that it is an incredibly potent aphrodisiac.Another experience specific to the 2C-x chemicals is body tripping (body high). This makes the drug more neurotoxic since high brain temperature causes oxidative damage to your neurons.Psychonauts describe the 2C-B-FLY experience as something in-between LSD and MDMA. Even though 2C-B FLY is structurally similar to 2C-B, the effects of those drugs are not the same.Compared to 2C-B, 2C-B FLY is a lot less energizing and more introspective.2C-B FLY is more likely to make you anxious and paranoid. There are people who can take relatively high doses and feel nothing. You will become so conscious that you will “go unconscious.”The last thing you want is to be lying on the ground for hours in nature, let alone on a street or in a club.So keep in mind that the higher the dose you take, the more important it is to be in a safe environment.Some people are more sensitive than others.

What Does 2C-B-FLY Feel Like?

There are some user reports of people taking much larger doses — closer to 40 mg — but this is only recommended if you have a lot of experience with this psychedelic. By helping each other and educating the public, we psychonauts will soon eliminate the stigma of psychedelics and help our society integrate these wonderful substances! Because of that, it’ll be harder to let go once you move to higher doses and this can easily lead to bad trips.You will also not get as many benefits from the drug as if you were to start with higher doses.

Cannabis

Thank you for taking psychedelics responsibly, immature psychonauts are the last thing the psychedelic movement needs.And thank you for being a part of this renaissance. If you take the substance orally, stop eating at least 2-3 hours prior. You can microdose with 2C-B-Fly but drugs like LSD, psilocybin, and ibogaine are more suited for this. This means that when you take psychedelics, there is more potential for growth but the risks are also higher.

  • And when an unsaturated furan ring is inserted, the compound is known as a “hemi-dragonfly”.
  • Even though 2C-B FLY is structurally similar to 2C-B, the effects of those drugs are not the same.Compared to 2C-B, 2C-B FLY is a lot less energizing and more introspective.2C-B FLY is more likely to make you anxious and paranoid.
  • Keep your powder or pills in a cold dark place, preferably with no air.If you don’t do this, 2C-B-Fly will lose potency within a few weeks or months.When you store the substance well, it will last for years or even decades.
  • At high doses you can start to compare it to Mescaline and 2C-E, which are still considered strong molecules.

Ann Shulgin — wife of Alexander Shulgin and co-author of the books TiHKAL and PiHKAL — once stated that 2C-B-FLY was one of her favorite psychedelics. A lot of this comes from the fact that its effects can change depending on the dose you’re using. Lower doses (around the 10 mg range) are euphoric, empathogenic, and mildly stimulating. Members of this class include psychedelics such as 2C-B, 2C-C, 2C-I, and more. The diversity of chemicals that have psychedelic effects is staggering.

-E: Psychedelic Information & Safety

In case you are not ready to face your inner demons yet, there are a few ways to end a bad trip.One possible way is to put on music that is familiar to you. During a “bad” trip, negative emotions are coming up from your subconscious mind. A “bad” trip isn’t bad, it can actually be the most healing and insightful moment of your life! Bad trips can happen but you can prevent them by following the tips below. The drug creates a unique tingling sensation that is often combined with your body feeling extremely tired. On the other hand, the drug likely has more therapeutic properties than 2C-B.2C-B FLY suppresses temperature regulation moreso than 2C-B.

What does 2C-B-Fly feel like?

How many days does it take to become sensitive to the drug again? You have to wait for several days in-between your trip to refresh your tolerance.If you were to trip 2 days in a row, your 2nd trip would be extremely weak. If the package gets lost, you can ask them to send you a new one, and they will.Some research chemicals may not be legal where you live, so always check the legal status of your country before you buy any substance. So to end a trip, use benzodiazepines but only do this if you completely have to. With that said, using a trip killer is smarter than harming yourself.The 2 best options that you have for ending a bad trip are Phenibut and benzodiazepines.

Is 2C-B-FLY Legal?

2C-B-FLY is a psychedelic and designer drug of the phenethylamine, 2C, and FLY families. It’s usually best to do your own research on this since it’s not uncommon for these sites to shut down or run out of supplies, but current sites offering 2C-B-FLY include Cayman Chemical, Cheap Chems, and Smokey’s ChemSite. It’s also legal in much of Europe, but 2C-B-FLY is a controlled substance (Schedule III) in Canada. Two deaths occurred in 2009 when people overdosed on 2C-B-FLY, so be careful with how much you take. The most common dose is between 10 and 15mg, although some heavy users of  2C-B-FLY may take 20mg or more.

Ann Shulgin herself enjoyed this molecule particularly for its empathic and erotic aspects. If you plug the drug, you do not have to worry about this. If you eat food before you take 2C-B-Fly, you will most likely experience extreme nausea and may even vomit. Keep your powder or pills in a cold dark place, preferably with no air.If you don’t do this, 2C-B-Fly will lose potency within a few weeks or months.When you store the substance well, it will last for years or even decades.

Even though 2C-B FLY is structurally similar to 2C-B, the effects of those drugs are not the same. 2C-B-FLY is a psychedelic substance of the of the phenethylamine and benzodihydrodifuran classes. This may make it dangerous to combine it with MAOIs, stimulants and certain substances which modulate synaptic concentrations of neurotransmitters such as serotonin, dopamine and norepinephrine through unknown mechanisms. Always conduct independent research (e.g. Google, DuckDuckGo, PubMed) to ensure that a combination of two or more substances is safe to consume. 2C-B-FLY presents cross-tolerance with all psychedelics, meaning that after the consumption of 2C-B-FLY all psychedelics will have a reduced effect.

The larger, fully saturated, hexahydro-benzo-dipyran ring derivative has been referred to as “2C-B-MOTH.” The 8-bromo group can also be replaced by other groups to produce compounds such as TFMFly. And when an unsaturated furan ring is inserted, the compound is known as a “hemi-dragonfly”. Unusually among 2C drugs, 2C-B-FLY also shows high affinity for the serotonin 5-HT1D receptor. Two deaths occurred in October 2009, in Denmark and the United States, after ingestion of a substance that was sold as 2C-B-FLY in a small-time RC shop, but in fact consisted of Bromo-DragonFLY contaminated with a small amount of unidentified impurities.

It’s been shown that mystical experiences can deeply change your identity and the higher the dose you take, the more intense they will be. Let the drug completely dissolve into the water.Use a 1 ml syringe, put the liquid into it and plug the substance into your a#s.You need to put the syringe deep enough but not too deep either. 5) The drug will kick in faster and your trip may last for longer. The drug will also kick in faster.If you decide to snort the substance, use the HBr form so that it doesn’t hurt as much.

There are dozens of mescaline-derived psychedelics, but there’s something about this one in particular that makes it stand out. Scientists have been taking known psychedelic compounds, like LSD or mescaline, and modifying them ever so slightly to search for new hallucinogenic derivatives. Maurice Merleau-Ponty broke from the abstractions of mid-century existentialism by grounding his philosophy in phenomenology and the concept of the “lived body,” uniting mind and body through direct, embodied experience – a perspective that later resonated with his explorations of consciousness and psychedelics. But don’t be fooled by its apparent cuteness, those who underestimated 2C-B-FLY and directly consumed 20mg doses did not always find the experience easy.

-P: The Strongest Member of the 2C Family of Psychedelics

When taken at the same dose, 2C-B is going to be a bit stronger in terms of the visuals, but 2C-B-FLY has stronger effects on the body. It also has a stronger body load and maintains more of a normal “headspace” than 2C-B — especially in higher doses. 2C-B-FLY is considered to fall somewhere on the milder end of the spectrum in terms of the psychedelic effects. The effects then gradually start to fade out over the course of 4–6 hours. The average duration is about 6 hours, with some users reporting trips up to 8-hours in duration.

In comparison to 2C-B, this compound presents a significantly 2c-b-fly more pronounced body high/load, stronger visual effects, more complex geometry and more in-depth internal hallucinations which are comparable to mescaline, 2C-E or MDA at higher doses. You’ll begin to experience effects about minutes after taking 2C-B-FLY, and the effects usually last between six and twelve hours. 2C-B-FLY generally gives the user psychedelic experiences that are similar to, but not as strong as, the effects of other hallucinogens, such as LSD. 2C-B-FLY, also known as 2c b fly, 2cb fly, and 2cbfly, is a synthetic psychedelic drug. 2C-B-FLY is currently illegal in most parts of the world, and this is unlikely to change unless the general sentiment on psychedelic substances is changed on a federal level.

It has a capacity empathogenic well with him which does not have the same mechanism of action, because weaker than the molecules releasing serotonin. Surprisingly, 2C-B-FLY is very similar to molecules like MDMA or 5-MAPB. This is why I insist on really taking your time with the molecule. His return to reality was not easy at all and his experience was very scary.

If you are a mentally stable individual who does not suffer from psychosis or have a predisposition to schizophrenia, there is virtually no way you would develop any mental illnesses because of taking the psychedelic. You may not be able to move so never trip in an unsafe environment. It also affects your 5-HT2C receptors.With that said, the only way to truly know what this psychedelic does to your brain is to try it yourself. The drug either blocks or minimally activates the 5-HT2A receptors.

OHSAA Football: All-Mid-Ohio Athletic Conference 2025

On the first team were five senior standouts in offensive lineman Jacob Martin, defensive end Zach Sallee (65.5 tackles, 17.5 TFL, 12.5 sacks, 1 FF), quarterback Ayden Schmidt (1,792 yards passing, 20 TD, 7 INT; 277 yards rushing, 6 TD), athlete Jacob Chambers (27 catches, 618 yards, 8 TD; 43 tackles, 1 INT, 3 FF, 2 FR, 1 blocked kick), linebacker Cameron Kuehlman (130 tackles, 6.5 for loss, 3 sacks, 1 FF, 2 FR), plus sophomore Swiss Army knife Kane Hay (20 catches, 304 yards, 2 TD; 41 rushes, 235 yards, 2 TD; 29.5 tackles, 5 INT, 1 FF, 2 FR). Both teams cleaned up in all-league honors, as expected, with the Tigers seeing a dozen make teams. Second teamers included seniors Sam Evans and Braylen Beachy, juniors Dominic Capretta and Kale Early, 12 step programs for addiction recovery and sophomores Kurt Hay and Blake Blubaugh, while senior Camden Kuehlman was an honorable mention. GALION — Only one team came remotely close to giving Shelby a battle in MOAC play and it was league runner-up Galion.

  • GALION — Only one team came remotely close to giving Shelby a battle in MOAC play and it was league runner-up Galion.
  • GALION — Only one team came remotely close to giving Shelby a battle in MOAC play and it was league runner-up Galion.
  • On the first team were five senior standouts in offensive lineman Jacob Martin, defensive end Zach Sallee (65.5 tackles, 17.5 TFL, 12.5 sacks, 1 FF), quarterback Ayden Schmidt (1,792 yards passing, 20 TD, 7 INT; 277 yards rushing, 6 TD), athlete Jacob Chambers (27 catches, 618 yards, 8 TD; 43 tackles, 1 INT, 3 FF, 2 FR, 1 blocked kick), linebacker Cameron Kuehlman (130 tackles, 6.5 for loss, 3 sacks, 1 FF, 2 FR), plus sophomore Swiss Army knife Kane Hay (20 catches, 304 yards, 2 TD; 41 rushes, 235 yards, 2 TD; 29.5 tackles, 5 INT, 1 FF, 2 FR).
  • Both teams cleaned up in all-league honors, as expected, with the Tigers seeing a dozen make teams.
  • Second teamers included seniors Sam Evans and Braylen Beachy, juniors Dominic Capretta and Kale Early, and sophomores Kurt Hay and Blake Blubaugh, while senior Camden Kuehlman was an honorable mention.

Frantic Beauty

“Frantic Beauty”, Process Art Book, LEIMAY Ensemble, ed. Maddie Winchester

borders

“borders”, Process Art Book with Lucy Kerr, Hiram Pines, Ximena & Shige

onion

Vegan Foodie Paradise

Veganism /ˈviːɡənɪzəm/ is the practice of abstaining from the use of animal products, particularly in diet, as well as following an associated philosophy that rejects the commodity status of sentient animals. A follower of veganism is known as a vegan.

Distinctions are sometimes made between different categories of veganism. Dietary vegans (or strict vegetarians) refrain from consuming animal products, not only meat but, in contrast to ovo-lacto vegetarians, also eggs, dairy products and other animal-derived substances. The term ethical vegan is often applied to those who not only follow a vegan diet, but extend the vegan philosophy into other areas of their lives, and oppose the use of animals or animal products for any purpose.[4] Another term used is environmental veganism, which refers to the avoidance of animal products on the premise that the harvesting or industrial farming of animals is environmentally damaging and unsustainable.

The term vegan was coined in 1944 by Donald Watson when he co-founded The Vegan Society in England, at first to mean “non-dairy vegetarian” and later to refer to “the doctrine that man should live without exploiting animals.”Interest in veganism increased in the 2000s; vegan food became increasingly available in supermarkets and restaurants in many countries, and several top athletes in endurance sports, such as the Ironman triathlon and the ultramarathon, began to practise veganism and raw veganism.

A 2009 research review indicated that vegan diets tend to be higher in dietary fibre, magnesium, folic acid, vitamin C, vitamin E, iron and phytochemicals, and lower in calories, saturated fat, cholesterol, long-chain omega-3 fatty acids, vitamin D, calcium, zinc and vitamin B12.[8] Well-planned vegan diets appear to offer protection against certain degenerative conditions, including heart disease,[9] and are regarded as appropriate for all stages of the life-cycle by the American Dietetic Association, the Australian National Health and Medical Research Council, and Dietitians of Canada.[10] Because uncontaminated plant foods do not provide vitamin B12 (which is produced by microorganisms such as bacteria), researchers agree that vegans should eat B12-fortified foods or take a supplement.

Lemon-Vodka Life Philosophy

I believe that if life gives you lemons, you should make lemonade… And try to find somebody whose life has given them vodka, and have a party.” 

Ron White

  • cupi
  • modohome

Honey Road

Honey /ˈhʌni/ is a sweet food made by bees using nectar from flowers. The variety produced by honey bees (the genus Apis) is the one most commonly referred to, as it is the type of honey collected by most beekeepers and consumed by people. Honeys produced by other bees (bumblebees, stingless bees) and other hymenoptera insects (e. g. honey wasps) have different properties, and they are not discussed in this article.Honey bees transform nectar into honey by a process of regurgitation and evaporation. They store it as a primary food source in wax honeycombs inside the beehive.Honey gets its sweetness from the monosaccharides fructose and glucose, and has approximately the same relative sweetness as granulated sugar.[1][2] It has attractive chemical properties for baking and a distinctive flavor that leads some people to prefer it over sugar and other sweeteners.[1] Most microorganisms do not grow in honey because of its low water activity of 0.6.  However, honey sometimes contains dormant endospores of the bacterium Clostridium botulinum, which can be dangerous to infants, as the endospores can transform into toxin-producing bacteria in infants’ immature intestinal tracts, leading to illness and even death.

Honey has had a long history in human consumption, and is used in various foods and beverages as a sweetener and flavoring. It also has a role in religion and symbolism. Flavors of honey vary based on the nectar source, and various types and grades of honey are available. It has also been used in various medicinal traditions to treat ailments. The study of pollens and spores in raw honey (melissopalynology) can determine floral sources of honey.[5] Bees carry an electrostatic charge whereby they attract other particles in addition to pollen, which become incorporated into their honey; the honey can be analysed by the techniques of melissopalynology in area environmental studies of radioactive particles, dust and particulate pollution.

  • cupi
  • modohome

Honey Road

Honey /ˈhʌni/ is a sweet food made by bees using nectar from flowers. The variety produced by honey bees (the genus Apis) is the one most commonly referred to, as it is the type of honey collected by most beekeepers and consumed by people. Honeys produced by other bees (bumblebees, stingless bees) and other hymenoptera insects (e. g. honey wasps) have different properties, and they are not discussed in this article.Honey bees transform nectar into honey by a process of regurgitation and evaporation. They store it as a primary food source in wax honeycombs inside the beehive.Honey gets its sweetness from the monosaccharides fructose and glucose, and has approximately the same relative sweetness as granulated sugar.[1][2] It has attractive chemical properties for baking and a distinctive flavor that leads some people to prefer it over sugar and other sweeteners.[1] Most microorganisms do not grow in honey because of its low water activity of 0.6.  However, honey sometimes contains dormant endospores of the bacterium Clostridium botulinum, which can be dangerous to infants, as the endospores can transform into toxin-producing bacteria in infants’ immature intestinal tracts, leading to illness and even death.

Honey has had a long history in human consumption, and is used in various foods and beverages as a sweetener and flavoring. It also has a role in religion and symbolism. Flavors of honey vary based on the nectar source, and various types and grades of honey are available. It has also been used in various medicinal traditions to treat ailments. The study of pollens and spores in raw honey (melissopalynology) can determine floral sources of honey.[5] Bees carry an electrostatic charge whereby they attract other particles in addition to pollen, which become incorporated into their honey; the honey can be analysed by the techniques of melissopalynology in area environmental studies of radioactive particles, dust and particulate pollution.

thank-you

New Wave Of Comedy

Many comics achieve a cult following while touring famous comedy hubs such as the Just for Laughs festival in Montreal, the Edinburgh Fringe, and Melbourne Comedy Festival in Australia. Often a comic’s career advances significantly when they win a notable comedy award, such as the Edinburgh Comedy Award (formerly the Perrier comedy award). Comics sometimes foray into other areas of entertainment, such as film and television, where they become more widely known; e.g., Eddie Izzard or Charlyne Yi. However, a comic’s stand-up success does not guarantee a film’s critical or box office success.

thank-you

New Wave Of Comedy

Many comics achieve a cult following while touring famous comedy hubs such as the Just for Laughs festival in Montreal, the Edinburgh Fringe, and Melbourne Comedy Festival in Australia. Often a comic’s career advances significantly when they win a notable comedy award, such as the Edinburgh Comedy Award (formerly the Perrier comedy award). Comics sometimes foray into other areas of entertainment, such as film and television, where they become more widely known; e.g., Eddie Izzard or Charlyne Yi. However, a comic’s stand-up success does not guarantee a film’s critical or box office success.

100H

Magnoliophyta

A flower, sometimes known as a bloom or blossom, is the reproductive structure found in flowering plants (plants of the division Magnoliophyta, also called angiosperms). The biological function of a flower is to effect reproduction, usually by providing a mechanism for the union of sperm with eggs. Flowers may facilitate outcrossing (fusion of sperm and eggs from different individuals in a population) or allow selfing (fusion of sperm and egg from the same flower). Some flowers produce diaspores without fertilization (parthenocarpy). Flowers contain sporangia and are the site where gametophytes develop. Flowers give rise to fruit and seeds. Many flowers have evolved to be attractive to animals, so as to cause them to be vectors for the transfer of pollen.

Becoming-Corpus

“Becoming-Corpus”, Process Art Book by Angeli Sion & Ximena Garnica

CAVE, Butoh & NY

“CAVE, Butoh & NY”, View Points, The Saison Foundation, Japan

New York Art Scene

“New York Art Scene”, Art/Criticism (Vol.1), Tohshin-do co., Japan

1 23 24 25 26