Review: “Simulations: Living Sculptures on the Public Stage”

“Its visual resonance is immediate. The performers, writhing in the sand of their dusty chambers, reflect to the mask-wearing public a kind of horror laden with the imagery of contamination and confinement ubiquitous with the events of this year.”

– George Kan, Brooklyn Rail (2020) for Correspondences
PC.XSW.2017.1000.90.2
PC.XSW.2017.1000.90.2
7 photos