Exhibition Page Template to transfer as blog post
Es mi primera vez viendo la obra de LEIMAY, y pues me sobrepasó. Las imágenes que tenía, de los comentarios que me hacían. Pude ver la sutileza, el movimiento muy natural desarrollándose y elevando cada vez más la energía. Pude ver cómo había una musicalidad en el movimiento, los sonidos, sudé con ellos, me tensé el cuerpo con ellos. O sea que bailé, bailé internamente. Gracias. This is my first time experiencing LEIMAY’s work, and I was overwhelmed. The expectations I had from the comments people made to me were completely surpassed. I could see the subtlety, the very natural … Continued
yuniya edi kwon is a violinist, vocalist, and interdisciplinary performance maker based in Lenapehoking, or New York City. Her practice connects composition, improvisation, movement, and ceremony to explore transformation & transgression, ritual practice as a tool to queer ancestral lineage, and the use of mythology to connect, obscure, and reveal. As a composer-performer and improviser, she is inspired by Korean folk timbres & inflections, textures & movement from natural environments, and American experimentalism as shaped by the AACM. Her work as a choreographer and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints, connecting to both Japanese … Continued
Músico colombiano nacido en Cartagena, con más de 25 años de experiencia en la interpretación de instrumentos de percusión, especializado en música tradicional colombiana. Ha sido percusionista en destacadas agrupaciones como Ale Kuma, La Mojarra Eléctrica, María Mulata, Martina Camargo, Tribu Baharú, Profetas y Martini Blues Band. Actualmente, dirige el grupo de Percusión Folclórica y Tamboras de la Universidad Pedagógica Nacional, así como otras bandas reconocidas, como Toto La Momposina y la Orquesta de Lucho Bermúdez, con las que ha realizado giras nacionales e internacionales. Colombian musician born in Cartagena, with more than 25 years of experience playing percussion instruments, … Continued
GOT CAVE
April 4 – May 2, 1998
Links
About
- The LEIMAY Community: A Vital Part of Artistic Growth
“The LEIMAY community has become a cherished part of my life as a working artist and educator in NYC, where I’ve been situated for over forty years. There is an admirable understanding of the delicate relationships between art-making and living here, with enormous investment in both individual and collective development…” - Peggy Gould
- ON THE ROAD & DEAD END
“She is simply breathtaking, possessing a supple body that seems to have no spine, yet is anchored on a steel spike of consummate control. She is inspired by the natural elements, and her slow, methodical, yet radiantly beautiful explorations of physicality take her dance to a higher plane” Dance International - 4 NEW FILMS DEBUT IN 2023ALL ARTS
The 2023 installment of the “ALL ARTS Artist in Residence” series, presented this year in collaboration with Obie Award-winning New York City performance space HERE, features four new films from artists Diana Oh, James Whiteside, Ximena Garnica and Shige Moriya, and Kameron Neal and Paul Pinto.
- From: Village Voice – 7 March 2000 – by Jason GrossFrom: Village Voice - 7 March 2000 - by Jason Gross “-- none of these match the Cave, a Williamsburg venue that aggressively combines all manner of media. It’s one thing to buy an abandoned garage and turn it into a gallery/performance space, but Shige Moriya, along with a group of other artists, also decided to call it home.” “-- Breaking free from the worn-out models of conventional galleries and spaces, the Cave proves that different arts and media can not only coexist but enhance each other.”
- From: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko NiiFrom: NY Arts Magazine – The Scene – Williamsburg, Brooklyn – by Yuko Nii “In 1996 the CAVE Galley opened the first recognized art gallery on the Southside, run by Shige Moriya and Naoki Iwakawa, which is considered by many to be the foremost avant garde fine art and performing space.”
- From: NY ARTS – vol 4 no 10 – by Sean BoskerFrom: NY ARTS – vol 4 no 10 – by Sean Bosker “A gallery where people still look at art? Of course it's underground. It's The CAVE, a Brooklyn gallery/performance space guaranteed to attack your senses Godzilla-style.







